질 들뢰즈의 감성론을 기반으로 한 접촉 즉흥에서의 감각에 대한 연구
A Study of Sense in Contact Improvisation Based on Gilles Deleuze’s Aesthetics
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The purpose of this study is to find out the sense which demanded in contact improvisation and interpret it as haptic and unrepresentation by applying concept of G. Deleuze. The most important sense in contact improvisation is sense of skin which has it’s own sight instead of sight of eyes. This study find out that contact improvisation emphasis not representation but sense which flowing between organs as haptic. That means contact improvisation is in pursuit of expanding sense rather than engaged in representation of any form or meaning through the form. This study suggests that the changes found in contact improvisation that haptic and unrepresentation can be characters of contemporary dance, as contact improvisation is still widely used.
Abstract
The purpose of this study is to find out the sense which demanded in contact improvisation and interpret it as haptic and unrepresentation by applying concept of G. Deleuze. The most important sense in contact improvisation is sense of skin which has it’s own sight instead of sight of eyes. This study find out that contact improvisation emphasis not representation but sense which flowing between organs as haptic. That means contact improvisation is in pursuit of expanding sense rather than engaged in representation of any form or meaning through the form. This study suggests that the changes found in contact improvisation that haptic and unrepresentation can be characters of contemporary dance, as contact improvisation is still widely used.
참고문헌 (18)
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