아폴론과 디오니소스 예술충동이론으로 본 작법무의 표현원리 연구
A Study on the Expression Principle of Jakbeopmu seen through Apollon and Dionysus Art Impulse Theory
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This study examines the dual expression principle of Jakbeopmu (Buddhist ritual dance) through Nietzsche's theory of art impulse. Jakbeopmu shows Buddhist teachings through a dual combination of form and melody. The movements with clear line and contour represent the shape by the Apollonian impulse, and the atypical movements between the shapes represent the melody by the Dionysus impulse. The melody prevents one movement from being perceived as a separate form, and the form is united with the melody and reveals the essence of the world in a figurative way. Jakbeopmu places atypical, intangible, and unfettered movements on the bottom of all shapes, revealing that the world is connected to each other.
Abstract
This study examines the dual expression principle of Jakbeopmu (Buddhist ritual dance) through Nietzsche's theory of art impulse. Jakbeopmu shows Buddhist teachings through a dual combination of form and melody. The movements with clear line and contour represent the shape by the Apollonian impulse, and the atypical movements between the shapes represent the melody by the Dionysus impulse. The melody prevents one movement from being perceived as a separate form, and the form is united with the melody and reveals the essence of the world in a figurative way. Jakbeopmu places atypical, intangible, and unfettered movements on the bottom of all shapes, revealing that the world is connected to each other.
참고문헌 (13)
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