Erick Hawkins「평원의 새벽」에 관한 연구
A Study on Erick Hawkins「Plains Daybreak」
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초록
This research deduces three characteristics from the ideological background, movement forms and artistic expression of directing effects from Erick Hawkins「Plains Daybreak」. First, the naturalistic thought rooted in zen ideology is the foundation. Regarding the thematic approach, the unique Hawkins metaphorical expression is the zest added into the American Indian ceremonial dance. Furthermore, the intention of establishing animals as main cast, the reflection of his naturalistic thought onto the piece can be observed. Second, the movement that considers the individuality and purity of the cast is emphasized. The differences in movement of the characters such as buffalo, antelope, coyote, porcupine, hawk, fish, snake, raccoon and first man are definite. Third, the severed directing effects’ artistic expressions are in harmony. The strong, but yet simple background music, the soft and natural costume colors and the mask worn by the cast express a thematic harmony.
Abstract
This research deduces three characteristics from the ideological background, movement forms and artistic expression of directing effects from Erick Hawkins「Plains Daybreak」. First, the naturalistic thought rooted in zen ideology is the foundation. Regarding the thematic approach, the unique Hawkins metaphorical expression is the zest added into the American Indian ceremonial dance. Furthermore, the intention of establishing animals as main cast, the reflection of his naturalistic thought onto the piece can be observed. Second, the movement that considers the individuality and purity of the cast is emphasized. The differences in movement of the characters such as buffalo, antelope, coyote, porcupine, hawk, fish, snake, raccoon and first man are definite. Third, the severed directing effects’ artistic expressions are in harmony. The strong, but yet simple background music, the soft and natural costume colors and the mask worn by the cast express a thematic harmony.
참고문헌 (16)
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- 현대무용에 대한 동서양의 변증에 관한 연구, "천영일", 중앙대학교스포츠과학연구소, ~ (2001)
- 최상철, "생체 역학적 접근방법을 통한 Erick Hawkins Technique의 이론", 무용한국, (여름) (1992)
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- Brown, J. M., "The Vision of Modern Dance" (1979), Princeton Book Co.
- Hawkins, E., "The body is a clear place and other statements on dance" (1992), Princeton Book Company
- Hyatt, J. J., "Finding the dance a mode of inquiry in liberal arts learning" (1988), Teachers College, Columbia University
- Kisselgoff, A., "Creation of The World by HawKins" (1979), The New York Times
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