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The Salome Complex: Patriarchal fears or voyeurism towards a dancing woman

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As a symbol of physicality, lust, and demonic power of a woman, Salome has been served men’s desires and fears towards a dancing woman. Through the analysis of the Salome paintings of Gustave Moreau, this study aims to analyzes what Salome symbolizes, and how the male gaze has been devoted to this images on Salome as a dancing woman.

Abstract

As a symbol of physicality, lust, and demonic power of a woman, Salome has been served men’s desires and fears towards a dancing woman. Through the analysis of the Salome paintings of Gustave Moreau, this study aims to analyzes what Salome symbolizes, and how the male gaze has been devoted to this images on Salome as a dancing woman.

참고문헌 (19)

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  2. Arcangeli, Alessandro, "Dance under Trial: The Moral Debate 1200-1600", Dance Research: The Journal of the Society for Dance Research, 12(2), pp.127~155 (1994)
  3. Bentley, Toni, "Sisters of Salome New Haven" (2002), Yale University Press
  4. Burns, Edward, "Rediscovering Oscar Wilde" (1994), Colin Smythe Ltd.
  5. Bizot, Richard Bizot, "Lester Horton's "Salome", 1934-1953 and after", Dance Research Journal, 16(1), pp.35~40 (1984)
  6. Bucknell, Brad, "On "Seeing" Salome", ELH, 60(2), pp.503~526 (1993)
  7. Cooke, Peter, "‘It isn’t a Dance’: Gustave Moreau’s Salome and The Apparition", Dance Research, 29(2), pp.214~232 (2011)
  8. Donahue, Joseph, "Salome and the Wildean Art of Symbolist Theatre", Modern Drama, 37, pp.104~119 (1994)
  9. Girad, René, "Scandal and the Dance: Salome in the Gospel of Mark", New Literary History, 15(2), pp.311~324 (1984)
  10. Highwater, Jamake, "Myth and Sexuality" (1990), Meridian
  11. Huysmans, Joris-Karl, "Against Nature" (2003), Penguin Books
  12. Kaplan, Julius, "The art of Gustave Moreau : theory, style, and content" (1982), UMI Research Press
  13. Kramer, Lawrence, "Culture and Musical Hermeneutics: The Salome Complex", Cambridge Opera Journal, 2(3), pp.269~294 (1990)
  14. Lacambre, Geneviee, "Gustave Moreau : magic and symbols" (1999), Harry N. Abrams
  15. Sander L. Gilman, "Salome, Syphilis, Sarah Bernhardt and the "Modern Jewess"", The German Quarterly, 66(2), pp.195~211 (1993)
  16. Sparshott, Francis Edward, "Off the Ground : first steps to a philosophical consideration of the dance" (1988), Princeton University Press
  17. Laura Morowitz, "The review of Gustave Moreau: Between Epic and Dream Geneviève Lacambre", The Art Bulletin, 82(2), pp.369~371 (2000)
  18. Nadine, Sine, "Cases of Mistaken Identity: Salome and Judith at the Turn of the Century", German Studies Review, 11(1), pp.9~29 (1988)
  19. Walkowitz, Judith R., "The "Vision of Salome": Cosmopolitanism and Erotic Dancing in Central London, 1908-1918", The American Historical Review, 108(2), pp.337~376 (2003)

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