디지털 퍼포먼스 <모탈 엔진(Mortal Engine)>(2008)에서의 포스트휴먼 몸에 대한 연구: 포스트 메를로-퐁티 철학 관점에 근거하여
A Study on the Posthuman Body in Digital Performance Mortal Engine (2008): From Perspectives of Post-Merleau-Ponty Philosophies
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Drawing upon post-/Merleau-Ponty theories, this research argues that the virtual cannot be relegated to disembodiment. By investigating a real time interface between dancers and digital images in Chunky Move's Mortal Engine (2008), the research insists that virtuality is the re-embodiment of physicality. A dancer’s embodied agency is expanded to a space of virtuality and brings into being her virtual double, whose embodiment is realised only with technical deterritorialisation of the body. Also, the dancer’s doubled body image affect each other as operated by her technological deployed body schema. Their doubled, presences are the embodiment of the posthuman’s unified subjectivity.
Abstract
Drawing upon post-/Merleau-Ponty theories, this research argues that the virtual cannot be relegated to disembodiment. By investigating a real time interface between dancers and digital images in Chunky Move's Mortal Engine (2008), the research insists that virtuality is the re-embodiment of physicality. A dancer’s embodied agency is expanded to a space of virtuality and brings into being her virtual double, whose embodiment is realised only with technical deterritorialisation of the body. Also, the dancer’s doubled body image affect each other as operated by her technological deployed body schema. Their doubled, presences are the embodiment of the posthuman’s unified subjectivity.
참고문헌 (31)
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