Expressing Cultural Identity and Performing Otherness: Salpuri Performance in the Midwestern United States
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
By framing the author’s Salpuri performance in the Midwestern United States as a site of auto-ethnographic exploration, this paper sheds light on the issues of identity, race/ethnicity, and politics that a migrant dancer constantly negotiates within the self and with others. The paper focuses on two main discussions. The first part of the paper speaks how dance becomes a means to express cultural/national identity for the author living overseas. The rest of the paper discusses how Korean traditional dance movement, costume, and race/ethnicity can operate as visual marks to separate the author from the Western audience as their “Other” – even temporary. In sum, the Salpuri performance demonstrates how identity, power, and politics intermingled with the representation of Asian (Korean) dance and body in Mid-western theater context.
Abstract
By framing the author’s Salpuri performance in the Midwestern United States as a site of auto-ethnographic exploration, this paper sheds light on the issues of identity, race/ethnicity, and politics that a migrant dancer constantly negotiates within the self and with others. The paper focuses on two main discussions. The first part of the paper speaks how dance becomes a means to express cultural/national identity for the author living overseas. The rest of the paper discusses how Korean traditional dance movement, costume, and race/ethnicity can operate as visual marks to separate the author from the Western audience as their “Other” – even temporary. In sum, the Salpuri performance demonstrates how identity, power, and politics intermingled with the representation of Asian (Korean) dance and body in Mid-western theater context.
참고문헌 (33)
- Akinson, P., "Narrative Turn or Blind Alley?", Qualitative Health Research, 7, pp.325~344 (1997)
- Buckland, T. J., "The Routledge Dance Studies Reader", pp.335~343 (2010), Routledge
- Carolyn, E., "The Ethnographic I: A Methodological Novel about Autoethnography" (2004), AltaMira Press
- Carolyn, E., "Autoethnography: An Overview", Historical Social Research, 2011, pp.36(4), 273~290
- Caruso, C., "Art as a Political Act : Expression of Cultural Identity, Self-Identity, and Gender by Suk Nam Yun and Yong Soon Min", The Journal of Aesthetic Education, 39(3), pp.71~87 (2005)
- Coffey, A., "The Ethnographic Self : Fieldwork and the Representation of Identity" (1999), Sage
- Couser, G. T., "Recovering Bodies : Illness, Disability, and Life Writing" (1997), University of Wisconsin Press
- Davis, A. M., "What we tell our daughters and ourselves about ‘ssshhh!!!!’hysterectomy", Qualitative Inquiry, 15(8), pp.1303~1337 (2009)
- Desmond, J., "Dancing Out the Difference : Cultural Imperialism and Ruth St. Denis’s ‘Radha’ of 1906", Signs, 17(1), pp.28~49 (1991)
- Droogsma, R. A., "Redefining Hijab : American Muslim Women’s Standpoints on Veiling", Journal of Applied Communication Research, 35(3), pp.294~319 (2007)
- Ellis, C., "Handbook of Qualitative Research", pp.733~768 (2000), Sage
- Foster, E., "Commitment, Communication, and Contending with Heteronormativity : An Invitation to Greater Reflexivity in Interpersonal Research", Southern Communication Journal, 73(1), pp.84~101 (2008)
- American Diaspora, "The Day the Dancers Stayed; Performing in the Filipino", pp.2010, Gonzalves, T.
- Gupta, A., "Anthropological Locations: Boundaries and Grounds of a Field Science", pp.1~46 (1997), University of California Press
- Hooks, B., "Teaching to Transgress: Education as the Practice of Freedom" (2000), Routledge
- Hughes, S., "Translating Autoethnography Across the AERA Standards : Toward Understanding Autoethnographic Scholarship as Empirical Research", Educational Researcher, 41(6), pp.209~219 (2012)
- Huizhu, S., "Performing Arts and Cultural Identity in the Era of Interculturalism", TDR, 53(2), pp.7~11 (2009)
- Kaeppler, A., "Dance Ethnology and the Anthropology of Dance", Dance Research Journal, 32(1), pp.116~125 (2000)
- Keller, E. F., "Reflections on Gender and Science" (1995), Yale University Press
- Kim Sue In, "한국과 미국 무용학회지의 질적 연구와 학문적 글쓰기 동향 나와 본 연구자 사이", 무용예술학연구, 49(4), pp.21~45 (2014), 한국무용예술학회
- Marshall, C., "Designing Qualitative Research" (1999), SAGE Publications Ltd
- Méndez, M., "Autoethnography as a Research Method: Advantages, Limitations and Criticisms", Bogota, 15(2), pp.279~287 (2013)
- Needham, S., "Cambodians in Long Beach" (2008), Arcadia Publishing
- Dancing Cultures: A Dance History Reader, "Moving History", pp.2001, Ness, S. A.
- Ness, S. A., "Cultural Bodies: Ethnography and Theory" (2004), Blackwell
- Paulson, S., "Older Women and Everyday Talk about the Ageing Body", Journal of Health Psychology, 13(1), pp.106~120 (2008)
- Said, E., "Orientalism" (1978), Random House
- Savigliano, M. E., "Angora Matta: Fatal Acts of North-South Translation", pp.166~190 (2003), Wesleyan University Press
- Sawyer, L., "Globalization and Race:Transformations in the Cultural Production of Blackness", pp.201~222 (2006), Duke University Press
- Spry, T., "Bodies of", as Evidence in Autoethnography, 2009, pp.1(4), 603~610
- Valenzuela, A., "Subtractive Schooling: U.S.-Mexican Youth and the Politics of Caring" (1999), State University of New York Press
- Van Zile, J., "Perspectives on Korean Dance" (2001), Wesleyan University Press
- Walford, G., "Finding the Limits : Autoethnography and Being and Oxford Universityproctor", Qualitative Research, 4, pp.403~417 (2004)