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한국사회 내 탈북인 예술단체의 사회문화적 정체성 및 가치에 관한 연구

An Investigation into North Korean Refugee's Performing Arts Company in South Korea in terms of Sociocultural Identities and Values

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This study mainly focuses on understanding a dance event within social and cultural contexts rather than describing formal structures and movements within a dance, and then examines how its meanings or values in the contexts are revealed and exposed through performances, especially dancing. The paper begins with two academics questions about North Korean refugee's performances in South Korea: What is a cultural identity of North Korean refugee's performing arts company in the society? What kinds of sociocultural values does the company have? The social context of the company is closely relative to an influx of North Korean refugees into South Korea and a process of their adaption to new circumstances. On the other hands, the cultural context of the company is linked to performance exchanges between the South and the North for cultural unification. Therefore, in order to resolve the above two questions, previously written material about the social position of North Korean refugees as well as the past performing arts exchanges between the South and the North are explored. Moreover, ‘Pyeongyang Performing Arts Company' is selected as a case study to gather detailed sources of its specific repertoire and to have interviews with performers or officers of the company. By analysing collected information, firstly, it is shown that the cultural identity of North Korean refugee's performing arts company is distinct from a domestic company in North Korea since the former has a hybrid identity where North culture conflicts with, interact with, and assimilate into South culture. This hybrid identity can be illustrated not only from folk dances as main repertoire but also Korean dancer joining in the company. Secondly, to participate in North Korean refugee's performing arts company leads to earn money, to form a social community with other refugees, and to get involved in the mainstream of the society. As well as social values of the company for the refugees, the company's own hybrid cultural identity suggests an ideal way to recognize heterogeneities between South and North culture, appreciate the other side, and coexist together.

Abstract

This study mainly focuses on understanding a dance event within social and cultural contexts rather than describing formal structures and movements within a dance, and then examines how its meanings or values in the contexts are revealed and exposed through performances, especially dancing. The paper begins with two academics questions about North Korean refugee's performances in South Korea: What is a cultural identity of North Korean refugee's performing arts company in the society? What kinds of sociocultural values does the company have? The social context of the company is closely relative to an influx of North Korean refugees into South Korea and a process of their adaption to new circumstances. On the other hands, the cultural context of the company is linked to performance exchanges between the South and the North for cultural unification. Therefore, in order to resolve the above two questions, previously written material about the social position of North Korean refugees as well as the past performing arts exchanges between the South and the North are explored. Moreover, ‘Pyeongyang Performing Arts Company' is selected as a case study to gather detailed sources of its specific repertoire and to have interviews with performers or officers of the company. By analysing collected information, firstly, it is shown that the cultural identity of North Korean refugee's performing arts company is distinct from a domestic company in North Korea since the former has a hybrid identity where North culture conflicts with, interact with, and assimilate into South culture. This hybrid identity can be illustrated not only from folk dances as main repertoire but also Korean dancer joining in the company. Secondly, to participate in North Korean refugee's performing arts company leads to earn money, to form a social community with other refugees, and to get involved in the mainstream of the society. As well as social values of the company for the refugees, the company's own hybrid cultural identity suggests an ideal way to recognize heterogeneities between South and North culture, appreciate the other side, and coexist together.

참고문헌 (17)

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  2. 김상철, "남북한 문화의 이질화와 동질성 회복방안", 복지행정연구, 19, pp.297~321 (2003)
  3. 김성구, "국내외 북한이탈주민 실상과 정착지원에 관한 연구", 석사, pp.2008
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  6. 박영정, "남북공연 예술교류의 흐름과 전망, in 남북한 공연예술의 대화" (2003), 시공사
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  8. 이병옥, "남한과 북한 무용의 양상 비교", 몸 (2000)
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  11. 장순향, "민족 통일 기반 조성을 위한 무용인의 역할", 한국체육학회지, 43(2), pp.417~424 (2004), 한국체육학회
  12. 정주신, "탈북자문제의인식" (2007), 한국학술정보
  13. 통일부, "통일백서" (2008), 통일부
  14. 평양예술단, "홍보팜플렛", ~ (2009)
  15. 평양예술단, "홍보팜플렛", ~ (2008)
  16. 황경숙, "북한무용의 이해" (2006), 한국학술정보
  17. Bhabha. H., "The Location of Culture" (1994), Routledge

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