마오와 그람시 사이에서: 리카르도 피글리아의 [가명]에 나타난 지식인과 대중 관계의 재고
Between Mao and Gramsci: Rethinking the Intellectual–Masses Relationship in Ricardo Piglia’s Nombre falso
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This article examines Ricardo Piglia as a writer who translated Maoist political thought into the literary field of 1970s Argentina. While studies of Latin American Maoism have centered on the armed conflict between radical leftist factions and military regimes, Maoism also inspired massoriented political and aesthetic projects beyond armed struggle. Focusing on Piglia’s short story, “Homenaje a Roberto Arlt,” in Nombre falso, this article examines how Piglia narrativizes a Maoist allegory of the intellectual–masses relationship. Building upon literary critic Bruno Bosteels’s reading, while also critically revising it, this article sheds light on the limits of Piglia’s Maoist fiction as an aesthetic representation of overcoming the intellectual–masses hierarchy by bringing in another key figure in Marxist mass discourse, Antonio Gramsci, and his conceptualization of the “organic intellectual.”
Abstract
This article examines Ricardo Piglia as a writer who translated Maoist political thought into the literary field of 1970s Argentina. While studies of Latin American Maoism have centered on the armed conflict between radical leftist factions and military regimes, Maoism also inspired massoriented political and aesthetic projects beyond armed struggle. Focusing on Piglia’s short story, “Homenaje a Roberto Arlt,” in Nombre falso, this article examines how Piglia narrativizes a Maoist allegory of the intellectual–masses relationship. Building upon literary critic Bruno Bosteels’s reading, while also critically revising it, this article sheds light on the limits of Piglia’s Maoist fiction as an aesthetic representation of overcoming the intellectual–masses hierarchy by bringing in another key figure in Marxist mass discourse, Antonio Gramsci, and his conceptualization of the “organic intellectual.”