별서도(別墅圖)에서 명승명소도(名勝名所圖)로-정선(鄭敾)의 작품을 중심으로-
Transition: Two Modes of Landscape Painting in Early Eighteenth-Century Korea
2
조회
0
다운로드
6
인용
0
참고문헌
키워드
초록
18세기 전반을 대표하는 화가인 정선(鄭敾)과 그를 추종한 몇몇 화가들은 한양과 한강 주변의 개인 별서를 일련의 명승명소도 작품들의 대상으로 포함하기 시작하였다. 특정인의 소유지를 그린 별서도가 18세기에 들어와 불특정 다수에게 유통될 수 있는 한 폭의 감상화가 된 것이었다. 본고는 사적인 영역의 그림이었던 별서도가 18세기에 들어 와 명승명소도의 형식으로 전형화 되고 대량 제작되어 유통되던 현상에 주목한다. 이와 관련하여 이러한 실경산수화의 기능적인 변화가 정선이 활동한 시기에 어떻게 이루어졌으며 별서도에서 명승명소도로 이행한 사회경제적, 문화적 배경과 그 의미는 무엇인지를 살펴볼 것이다. 이 점에 있어 본고는 상품화폐 경제가 발달하던 조선 후기 한양의 상업적 도시문화에 주목한다.
Abstract
Transition: Two Modes of Landscape Painting in Early Eighteenth-Century Korea Kyuhee Cho This essay deals with the ways in which two competing modes of landscape painting took shape in eighteenth-century Korea, exploring the work of Jeong Seon [Chŏng Sŏn 1676-1759] and his followers. In the early eighteenth century, paintings depicting the land holdings and country estates of the landlord class gained enormous popularity. Jeong Seon was the most eminent master of this landscape genre. He created a large number of landscapes representing the patron’s pavilions, villas, and estates, landscapes that were not only designed to celebrate the wealth and power of the land owner but also used as a means of enhancing his social prestige. Along with this mode of landscape painting, topographical landscapes of scenic sites also gained wide currency. The rapid urbanization and commercialization of late Joseon [Chosŏn] society played a significant role in the production and consumption of such landscape paintings at a time when many members of the ruling class and nouveaux riches pursued leisure activities including pleasure trips to famous mountains and rivers. Jeong Seon was the most distinguished painter laying the foundation for this mode of landscape painting. While the landscape of property was created exclusively for the owner, the topographical painting of a notable site was produced for mass consumption. Early eighteenth-century paintings embodied this significant change from pictures of land property to topographical landscapes of famous scenic sites.