예수의 몸, 성모의 몸, 언약의 궤: 틸만 리멘쉬나이더의 성모승천 제단조각
Corpus Christi, Corpus Virginis, the Ark of Covenant: Tilmann Riemenschneider’s Assumption Altar in Creglingen 1505–1510
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초록
1505-1510년에 걸쳐 독일 크레글링엔의 우리 주님의 교회에 세워진 리멘쉬나이더의 성모승천 제단조각은, 성체발견 기적담의 장소에 성모승천의 주제를 세운 예외적인 경우이다. 이 논문은 예수의 몸 – 성모의 몸 – 언약의 궤를 관통하는 신학적 논리를 통해 리멘쉬나이더의 제단조각이 이 교회의 역사적 종교적 배경에 어떻게 합치되는가를 밝히고자 한다.
Abstract
This essay attempts to explain the semantic logic in the installation of the Virgin’s Assumption altarpiece upon the site of a late medieval Host miracle. The Assumption Altarpiece was made by Tilmann Riemenschneider in 1505–1510, and set up in the center of Herrgottskirche in Creglingen, Germany, where in the fourteenth century a consecrated Host had been found in the middle of field by a peasant. The church was set up to commemorate this miracle, and the location of Riemenschneider’s altarpiece marked the exact spot of discovery. Such miracles stories relating to the Host were frequently found in the middle and southern Germany of late medieval time. Churches were built in those places, but the altarpieces therein usually bore the themes directly referring to Corpus Christi. Thus, the emplacement of the Virgin’s altar upon the spot of Host miracle in Creglingen was rather a rare case. The author attempted to explain this matching in his 1996 master’s thesis by making a parallel between Christ’s risen body and the Virgin’s soaring body, both signaling the resurrection of the body on the Judgment Day. However in this current article, the author points out the metaphoric association between Host monstrance and the body of the Virgin as the ark of the New Covenant. In conclusion, this essay argues that Riemenschneider’s figure of soaring Virgin surrounded by Cherubims, with its formal and theological resemblance to monstrance and the Ark of Covenant, referred to her role as the new ark containing Corpus Christi, which had been miraculously found in the spot.
참고문헌 (17)
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