1920년대 초기 치카노 소설 - Las aventuras de Don Chipote o cuando los pericos mamen의 크로니카(crónica)적 특징을 중심으로 -
Early Chicano novel in the 1920s: the characteristics of crónica of Las aventuras de Don Chipote o cuando los pericos mamen
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This study deals with Daniel Venegas's 1928 novel, Las aventuras de Don Chipote o cuando los pericos mamen, defined by Nicolás Kanellos as 'the first Chicano novel'. This novel is an extremely innovative literary narrative which attempts to embody new characters such as Chicano braceros within the tradition of picaresque literature and the road story. I want to argue that the author reveals social and cultural concerns regarding the developing transnational communities of Chicano in Southwestern cities such as El Paso and Los Angeles. This novel, based on Mexican urban crónicas, represents the early immigrant Chicano society and culture of the 20s by giving a faithful description of city landscape through satire and humor, and portraying realistic pictures of show business in East Los Angeles. I ultimately attempt to show that the novel can be interpreted as an immigration novel with deep engagement with issues of resistance to a fixed concept of Chicano identity and response to the contending necessities of early Chicano society as a ‘México de Afuera’ versus a new displaced community.
Abstract
This study deals with Daniel Venegas's 1928 novel, Las aventuras de Don Chipote o cuando los pericos mamen, defined by Nicolás Kanellos as 'the first Chicano novel'. This novel is an extremely innovative literary narrative which attempts to embody new characters such as Chicano braceros within the tradition of picaresque literature and the road story. I want to argue that the author reveals social and cultural concerns regarding the developing transnational communities of Chicano in Southwestern cities such as El Paso and Los Angeles. This novel, based on Mexican urban crónicas, represents the early immigrant Chicano society and culture of the 20s by giving a faithful description of city landscape through satire and humor, and portraying realistic pictures of show business in East Los Angeles. I ultimately attempt to show that the novel can be interpreted as an immigration novel with deep engagement with issues of resistance to a fixed concept of Chicano identity and response to the contending necessities of early Chicano society as a ‘México de Afuera’ versus a new displaced community.
참고문헌 (18)
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