보르헤스의 작품 「알레프」와 열망의 페이소스
“El Aleph” de Jorge Luis Borges and the Pathos of Longing
0
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
Borges’s “El Aleph”(El Aleph) is a complicated literary text featuring three aspects: linguistic, psychological, and philosophical. First, the linguistic aspect deals with the limitations of verbal signs that hinder us from perceiving the reality or distort it. Thus, the narrator, Borges, underestimates Daneri’s poetical work for failing to capture the literary truth, and denies the Aleph that he saw in person in the basement of Daneri’s. Second, from the psychological aspect the narrator expresses his disbelief of Beatrice’s obscene image reflected in the Aleph, and asserts that Daneri’s Aleph is fake. Finally, the philosophical aspect shows the nominalist view of the world, which describes the superficial and trivial image of the world without any archetype or Plato’s idea. Underneath these three aspect, however, lie longings for the literary truth, the pure image of Beatrice, and the realist view of the world, which are impossible in the modern world. This structural mechanism creates the pathos of “The Aleph”.
Abstract
Borges’s “El Aleph”(El Aleph) is a complicated literary text featuring three aspects: linguistic, psychological, and philosophical. First, the linguistic aspect deals with the limitations of verbal signs that hinder us from perceiving the reality or distort it. Thus, the narrator, Borges, underestimates Daneri’s poetical work for failing to capture the literary truth, and denies the Aleph that he saw in person in the basement of Daneri’s. Second, from the psychological aspect the narrator expresses his disbelief of Beatrice’s obscene image reflected in the Aleph, and asserts that Daneri’s Aleph is fake. Finally, the philosophical aspect shows the nominalist view of the world, which describes the superficial and trivial image of the world without any archetype or Plato’s idea. Underneath these three aspect, however, lie longings for the literary truth, the pure image of Beatrice, and the realist view of the world, which are impossible in the modern world. This structural mechanism creates the pathos of “The Aleph”.
참고문헌 (34)
- 김홍근, "보르헤스의 불교강의" (1998), 여시아문
- 이주동, "프리츠 마우트너의 언어회의와 신비주의", 독일언어문학, (22), pp.293~320 (2003), 한국독일언어문학회
- 호르헤 루이스 보르헤스, "알레프" (2012), 민음사
- Alazraki, Jaime, "La prosa narrativa de Jorge Luis Borges" (1974), Gredos
- Alazraki, Jaime, "Jorge Luis Borges", pp.183~200 (1984), Taurus
- Balderston, Daniel, "Out of Context Historical Reference and the Representation of Reality in Borges" (1993), Duke University Press
- Bioy Casares, Adolfo, "Antología de la literatura fantástica" (1987), Sudamericana
- Borges, Jorge Luis, "El Aleph" (1957), Emecé
- Borges, Jorge Luis, "Obras completas 1923-1972" (1974), Emecé
- Bossart, William H., "Borges and Philosophy: Self, Time, And Metaphysics" (2003), Peter Lang
- Bosteels, Bruno, "Borges as Antiphilosopher", Vanderbilt e-Journal of Luso-Hispanic Studies, 3 (2006)
- Brooks, Cleanth, "Understanding Fiction" (1959), Appleton-Century-Crofts
- Burgin, Richard, "Conversaciones con Jorge Luis Borges" (1974), Taurus
- Canto, Estela, "Borges a contraluz" (1989), Espasa Calpe
- D’Angelo, Biagio, "Borges en el centro del infinito" (2005), Fondo Editorial, Universidad Católica Sedes Sapientiae
- Dapía, Silvia G., "The Metaphor of Translation Borges and Fritz Mauthners Critique of Language", Variaciones Borges, 21, pp.23~85 (2006)
- Di Giovanni, Norman Thomas, "Borges on Writing" (1994), Ecco Press
- García, Jorge J. E., "Borges's Pierre Menard: Philosophy or Literature?", The Journal of Aesthetics and Art Criticism, 59(1), pp.45~57 (2001)
- Hutcheon, Linda, "A Theory of Parody: The Teachings of Twentieth Century Art Forms" (1985), Routledge
- Irwin, William, "Literary Philosophers: Borges, Calvino, Eco", pp.27~45 (2002), Routledge
- Jameson, Fredric, "Postmodernism, or, The Cultural Logic of Late Capitalism" (1991), Verso
- Leal, Luis, "Los cuentos de Borges", La Palabra y el Hombre, 27, pp.425~436 (1963)
- Louis, Annick, "Borges ante el fascismo" (2007), Peter Lang
- Mauthner, Fritz, "Contribuciones a una crítica del lenguaje" (2001), Herder
- Núñez-Faraco, Humberto, "In Search of the Aleph: Memory, Truth, and Falsehood in Borges’s Poetics", The Modern Language Review, 92(3), pp.613~629 (1997)
- Ortega, Juilo, "Arte de innovar", pp.181~186 (1994), Universidad Nacional Autónoma de México; Ediciones del Equilibrista
- Panesi, Jorge, "Borges y la cultura italiana en la Argentina", La Biblioteca, 13, pp.48~57 (2013)
- Plot, Martín, "Tlön as Political Form: Democracy and Totalitarianism in Borges and Lefort", Constellations, 19(3), pp.463~479 (2012)
- Rodríguez Monegal, Emir, "Borges: una biografía literaria" (1987), Fondo de Cultura Económica
- Rodríguez Yebra, Martín, "Vargas Llosa recordó a Borges y dijo que es ‘equivalente’ a Cervantes", La Nación, ~ (2016)
- Rose, Margaret A., "Parody: ancient, modern and post-modern" (1993), Cambridge. University Press
- Thiem, Jon, "Borges, Dante, and the Poetics of Total Vision", Comparative Literature, 40(2), pp.97~121 (1988)
- Wells, H. G., "Tales of Space and Time", pp.1~33 (1920), Macmillan
- "Website Borges Center"[URL]