로뻬와 띠르소의 희극에 나타난 변장의 기능적 역할 분석
Analysis of the Functional Role of Disguise in Lope and Tirso's Comedy
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Through the comedy works of Lope and Tirso, the representative playwrights of Spain in the 17th century, we study the disguise that was one of the representative means of drama at the time in detail by type. There are three main types of disguise in comedy at the time: the heroine's disguise as a man for the use of force, the disguise for the formation and resolution of dramatic conflicts, and the disguise for the enjoyment of the audience. The play at the time could not rely on the poor and crude stage settings and stage effects of the time to set up and develop unconventional content and complex and shocking dramatic conflicts, and the only dramatic means that the playwrights of the time could take for this was disguise.
Abstract
Through the comedy works of Lope and Tirso, the representative playwrights of Spain in the 17th century, we study the disguise that was one of the representative means of drama at the time in detail by type. There are three main types of disguise in comedy at the time: the heroine's disguise as a man for the use of force, the disguise for the formation and resolution of dramatic conflicts, and the disguise for the enjoyment of the audience. The play at the time could not rely on the poor and crude stage settings and stage effects of the time to set up and develop unconventional content and complex and shocking dramatic conflicts, and the only dramatic means that the playwrights of the time could take for this was disguise.
참고문헌 (16)
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