『재즈』의 흑인역사 재구축과 내러티브 전략
Reestablishing Black History and the Narrative Strategies in Jazz
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This paper analyzes the narrative strategies with the complicated process for the characters to extricate themselves from the track of traumatic past in Toni Morrison’s Jazz. In the novel, Morrison shows the dispossessed characters’ intense confrontation with the oppressed past traces and celebrates their survival in the mystery of human love. By exploring the characters’ intricate stories, she emphasizes the necessity to find and reestablish the useful history for the African-American to live meaningful lives. To meet her aim of fictional reestablishment of the past, the unique narrative strategies are employed, such as creating a self-reflexive narrator, giving the text the oral and musical quality, and blurring the traditional boundaries of narrator, character, and reader. All the narrative strategies contribute to making the text sound like a great Jazz performance. Through the unconventional and experimental narrative, Morrison accomplishes her goal of writing the history of the future and possibility.
Abstract
This paper analyzes the narrative strategies with the complicated process for the characters to extricate themselves from the track of traumatic past in Toni Morrison’s Jazz. In the novel, Morrison shows the dispossessed characters’ intense confrontation with the oppressed past traces and celebrates their survival in the mystery of human love. By exploring the characters’ intricate stories, she emphasizes the necessity to find and reestablish the useful history for the African-American to live meaningful lives. To meet her aim of fictional reestablishment of the past, the unique narrative strategies are employed, such as creating a self-reflexive narrator, giving the text the oral and musical quality, and blurring the traditional boundaries of narrator, character, and reader. All the narrative strategies contribute to making the text sound like a great Jazz performance. Through the unconventional and experimental narrative, Morrison accomplishes her goal of writing the history of the future and possibility.
참고문헌 (15)
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- Bouson, J. Brooks, "The Dirty, Get-on-Down Music: City Pride, Shame, and Violence in Jazz in : Quiet as It's Kept: Shame, Trauma, and Race in the Novels of Toni Morrison", pp.163~190 (2000), State U of New York P
- Carabi, Angels, "Toni Morrison", Belles Lettres: A Review of Books by Women, 10(2), pp.40~43 (1995)
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- Morrison, Toni, "Jazz" (1992), Penguin
- Morrison, Toni, "Playing in the Dark: Whiteness and the Literary Imagination", pp.1993, Vintage
- Morrison, Toni, "Rootedness: The Ancestor as Foundation in : Black Women Writers (1950-1980): A Critical Evaluation", pp.339~345 (1984), Anchor-Doubleday
- Page, Philip, "Make Me, Remake Me: Traces, Cracks, and Wells in Jazz in : Dangerous Freedom: Fusion and Fragmentation in Toni Morrison’s Novels", pp.159~177 (1995), UP of Mississippi
- Peterson, Nancy J., "Say Make Me, Remake Me: Toni Morrison and the Reconstruction of African-American History in : Toni Morrison: Critical and Theoretical Approaches", pp.201~221 (1997), The Johns Hopkins UP
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- Ruas, Charles, "Toni Morrison in : Conversations with Toni Morrison", pp.93~118 (1994), UP of Mississippi
- Schapell, Elissa, "Toni Morrison: The Art of Fiction", Paris Review, 128, pp.82~125 (1993)
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