History and Timelessness in a Short Story by Miklós Mészöly
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In this paper I give an interpretation of a short story by the renowned Hungarian writer, Miklós Mészöly. After defining some basic concepts of narratology, I map three story‐lines in the text. The story‐lines contain recurrent motifs (’facing somebody’ and ’turning one’s back on somebody’) and also point to an opposition within the narrative. The two, structurally similar images (a still image – a painting – and a „motion picture” – the story of a town) are contrasted to show that human fallibility is a result of the temporal dimension humanity is subject to.
Abstract
In this paper I give an interpretation of a short story by the renowned Hungarian writer, Miklós Mészöly. After defining some basic concepts of narratology, I map three story‐lines in the text. The story‐lines contain recurrent motifs (’facing somebody’ and ’turning one’s back on somebody’) and also point to an opposition within the narrative. The two, structurally similar images (a still image – a painting – and a „motion picture” – the story of a town) are contrasted to show that human fallibility is a result of the temporal dimension humanity is subject to.
참고문헌 (7)
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- Rimmon‐enan,Slomith, "Narrative Fiction: Contemporary Poetics" (1983), Methuen