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Re-reading the film of Dead Poets Society

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The purpose of this study is to re-read the film of Dead Poets Society, specially focused on a feminist view. The film hides the strategy of recovering the traditional Patriarchal Society. At the beginning, the film resists the values of traditional society through John Keating. His unorthodox methods of teaching literature smack against the traditions of Welton Academy. Furthermore, he stresses on "Carpe Diem"-Seize the Day, the romantic values of free thinking, creativity, and individuality. The forces opposing Keating's philosophy are personified by Welton's rigid, old headmaster, Mr. Nolan, and the cruel, stubborn parent, Mr. Perry. Keating's romantic values are failed by their powerful, dominating attitudes. Effected by Keating's philosophy, Neil decides to pursue acting rather than medicine. He conflicts with his strict father. Finally frustrated by his authority, Neil commits suicide. And Keating is accused of inciting the boys to restart the Dead Poets Society, and at last he is fired. Keating and Neil are victimized by the Patriarchal society. Even though the film concentrates male characters at the all boys' school, it reveals the male angle of binary oppositions between men and women, subject and object, activity and passivity, presence and absence. In the film's dramatic conclusion, English class is now being temporarily taught by Nolan, who has the boys read from the very Pritchard essay they had ripped out at the start of the film. It symbolizes the triumph of the traditional logocentric society. However, influenced by Keating's unconventional attitudes, ultimately Welton Academy will be changed as it is embodied in its closing scene.

Abstract

The purpose of this study is to re-read the film of Dead Poets Society, specially focused on a feminist view. The film hides the strategy of recovering the traditional Patriarchal Society. At the beginning, the film resists the values of traditional society through John Keating. His unorthodox methods of teaching literature smack against the traditions of Welton Academy. Furthermore, he stresses on "Carpe Diem"-Seize the Day, the romantic values of free thinking, creativity, and individuality. The forces opposing Keating's philosophy are personified by Welton's rigid, old headmaster, Mr. Nolan, and the cruel, stubborn parent, Mr. Perry. Keating's romantic values are failed by their powerful, dominating attitudes. Effected by Keating's philosophy, Neil decides to pursue acting rather than medicine. He conflicts with his strict father. Finally frustrated by his authority, Neil commits suicide. And Keating is accused of inciting the boys to restart the Dead Poets Society, and at last he is fired. Keating and Neil are victimized by the Patriarchal society. Even though the film concentrates male characters at the all boys' school, it reveals the male angle of binary oppositions between men and women, subject and object, activity and passivity, presence and absence. In the film's dramatic conclusion, English class is now being temporarily taught by Nolan, who has the boys read from the very Pritchard essay they had ripped out at the start of the film. It symbolizes the triumph of the traditional logocentric society. However, influenced by Keating's unconventional attitudes, ultimately Welton Academy will be changed as it is embodied in its closing scene.

참고문헌 (15)

  1. 박정오, "새로운 상징질서를 찾아서 in : 페미니즘 어제와 오늘", pp.182~200 (2000), 민음사
  2. 신재실, "소로우와 프로스트 - 자연과 상상어", 영어영문학, 49(1), pp.101~118 (2003), 한국영어영문학회
  3. 양승갑, "영화 속의 영시" (1997), 우용출판사
  4. 이인성, "죽은 시인의 사회" (2006), 스크린영어사
  5. Beauvoir, Simone de, "The Second Sex" (1968), Lowe and Brydone Ltd
  6. Cixous, Hélène, "The Laugh of the Medusa", pp.279~297 (1976), Signs
  7. Freud, Sigmund, ""Femininiy." New Introductory Lectures on Psycho-Analysis", pp.112~135 (1965), Norton
  8. Irigaray, Luce, "This Sex Which Is Not One" (1985), Cornell UP
  9. Schulman, Tom, "Dead Poets Society: The Screenplay" (2000), Harvest Moon Publishing
  10. Shakespeare, William, "A Midsummer Night's Dream" (1979), Methuen
  11. Stanton, Domna C., ""Language and Revolution: The Franco-American Dis-Connection." The Future of Difference", pp.73~87 (1980), G. K. Hall
  12. Tennyson, Alfred, ""Ulysses." The Norton Anthology of English Literature, 5th Ed., Vol.2.", pp.1108~1110 (1986), Norton
  13. Thoreau, Henry David, "Walden and Other Writings by Henry David Thoreau" (1981), Bantam
  14. Walters, Suzanna Danuta, "Material Girls" (1995), U of California P
  15. Whitman, Walt, "Leaves of Grass" (1980), Signet

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