John Irving’s Heroes and Their Graces
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Referring to John Irving's 2001 published fiction The Fourth Hand, the publisher commented, "It seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, it is as realistic and emotionally moving as any of Mr. Irving's previous novels." In his early six novels, John Irving shows the world suffused with grief and deception. But his novels finally turn out also as a comic and robust novel. The writer's success in achieving this thick description of the contradictory modern world is largely due to his development of the idea of the flawed hero. Despite loss, sadness and abandonment, Irving's heroes maintain classical heroic traits such as intelligence, tenderness, protectiveness, strength, bravery, sense of humor, independence, attractiveness. In this article, I tried to emphasize these graces potent in Irving's heroes as the most attractive and influential device for the writer's consistent popularity among the general public. The cinematization of his four fictions attest to audience's sympathy toward rewarding vulnerability and truthful exaggeration in the depiction of Irving's heroes. By taking full responsibility for their own fate despite having the flaws, Irving's protagonists still appeal to many readers as heroes resilient in a modern chaotic world without losing their graces.
Abstract
Referring to John Irving's 2001 published fiction The Fourth Hand, the publisher commented, "It seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end, it is as realistic and emotionally moving as any of Mr. Irving's previous novels." In his early six novels, John Irving shows the world suffused with grief and deception. But his novels finally turn out also as a comic and robust novel. The writer's success in achieving this thick description of the contradictory modern world is largely due to his development of the idea of the flawed hero. Despite loss, sadness and abandonment, Irving's heroes maintain classical heroic traits such as intelligence, tenderness, protectiveness, strength, bravery, sense of humor, independence, attractiveness. In this article, I tried to emphasize these graces potent in Irving's heroes as the most attractive and influential device for the writer's consistent popularity among the general public. The cinematization of his four fictions attest to audience's sympathy toward rewarding vulnerability and truthful exaggeration in the depiction of Irving's heroes. By taking full responsibility for their own fate despite having the flaws, Irving's protagonists still appeal to many readers as heroes resilient in a modern chaotic world without losing their graces.
참고문헌 (14)
- Irving, John, "The 158-Pound Marriage" (1974), Random House
- Irving, John, "The Cider House Rules" (1985), Morrow, and London
- Irving, John, "Setting Free the Bears" (1969), Random House
- Irving, John, "The Hotel New Hampshire" (1981), Dutton
- Irving, John, "The Water-Method Man" (1972), Random House
- Irving, John, "The World According to Garp" (1978), Dutton
- Lewis, Roger, "Larger than Life", New Statesman, 28 (1985)
- McCaffery, Larry, "An Interview with John Irving", Contemporary Literature, (23), pp.1~18 (1982)
- Miller, Gabriel, "John Irving" (1982), Frederick Ungar Publishing Co.
- Morris, Ann R., "The importance of Names in Garp's and Irving's World", Contemporary Literature (1984)
- Priestley, Michael, "Structure in the Worlds of John Irving", Critique, (23), pp.82~96 (1981)
- Radway, Janice, "Reading the Romance; Woman, Patriarchy, and Popular Literature" (1984), University of North California Press
- Theodore L. Gross, "The Heroic Ideal In American Literature" (1971), The Free Press
- "Welty, Eudora. “Place in Fiction” in Richard Ford and Michael Kreyling, eds., Eudora Welty: Stories, Essays, and Memoir. Jackson: University Press of Mississippi, 1998."[URL]
