崑曲 ≪十五貫≫ 개편 및 공연에 대한 재평가
A Re-evaluation of the 1956 Revival of Kunqu Opera(崑曲) ≪Fifteen Strings of Cash(十五貫)≫
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The primary factors of the successful revival of ≪Fifteen Strings of Cash(十五貫)≫ in 1956 can be summarized as followed ; The planning of the performance and the adaptation from the original work of Qing dynasty made a bold attempt to reform Kunqu opera(崑劇). The adapted/rewritten traditional drama was particularly re-welcomed when it met with the contemporary political agendas and social demands around 1956. The successful results also reflect a clear grasp in change of the audience’s taste. Artistic talents and passions of well-prepared actors and musicians, who were flexible between traditional technique and new experiment, contributed to achieve the impressive success of performance. The re-evaluation of success of revived ≪Fifteen Strings of Cash(十五貫)≫ can suggest a possible answer to one of the most important issues facing Chinese drama, such as the preservation of dramatic heritage and its modernization.
Abstract
The primary factors of the successful revival of ≪Fifteen Strings of Cash(十五貫)≫ in 1956 can be summarized as followed ; The planning of the performance and the adaptation from the original work of Qing dynasty made a bold attempt to reform Kunqu opera(崑劇). The adapted/rewritten traditional drama was particularly re-welcomed when it met with the contemporary political agendas and social demands around 1956. The successful results also reflect a clear grasp in change of the audience’s taste. Artistic talents and passions of well-prepared actors and musicians, who were flexible between traditional technique and new experiment, contributed to achieve the impressive success of performance. The re-evaluation of success of revived ≪Fifteen Strings of Cash(十五貫)≫ can suggest a possible answer to one of the most important issues facing Chinese drama, such as the preservation of dramatic heritage and its modernization.
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