澤堂 李植의 『大家意選批評』과 散文創作의 實際

Abstract

This study aims at uncovering from where the art factor involved in the literature by Leesik comes and what the reality is. The result is that he basically regarded works by writers of the TangㆍSong age as a model and would learn how to write ancient writings in them. For that, he selected the works by writers of the Tang․Song age in his own discerning eyes and then stated an analysis and critique from diverse viewpoints; the very outcome is 「Daegauiseonbipyeng」 which is a book of criticism left still. 「Daegauiseonbipyeng」 is a kind of a selection of criticism that he stated comments about 42 works needed for learning writing which he selected out of for works by writers of the TangㆍSong. Trough it, first, he focused on understanding ‘Zhǔyi(主意)’ of works on the viewpoint of ‘Cida(辭達)’, and the second is to seize how to construct a work for delivering ‘Zhǔyi(主意)’ more clearly and simply. And then, because of grasping the foregoing, he took in the fruit of criticism left by the predecessor, and on the other hand come out his own analytic criticism through mastering and the conversion to self. What is more, he showed his knowledge and conduct accord each other as reflecting his principle derived through the foresaid process on real writing like it.