鲁迅小说中的反復现象研究― 以『呐喊』和『彷徨』为例
A Study on the Repetitive phenomenon in Lu Xun's novels
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本文以魯迅的兩部小說集『吶喊』、『彷徨』為研究對象，通過細讀文本和統計的方法，對其中收入的25部小說中出現的反复現象進行了考察。 魯迅繼承了古典文學流傳至今的“三致其意”和“三复情節”的傳統，在小說中加以活用。反复的用例，主要有兩種：單篇小說內部的反复，跨篇互文性的反复，以前者居多。反复修辭的運用，收到了至少四個方面的效果： 通過大量相似的社會現象的描述反應了晚清至五四前後的社會現實，常常在多次提及的隱蔽意象中揭示作品的主題，借人物的口頭禪為我們塑造了很多經典的人物形象，在反复的場景對比中凸顯一貫的悲劇色彩。因此可以說，反复修辭的大量運用，是魯迅小說的一大特色。
Abstract
This paper takes Lu Xun's two collections of novels Scream and Wandering as the research object. Through careful reading of the text and statistical methods, the Repetitive phenomenon in the 25 novels included in it is investigated. Lu Xun inherited the traditions of "Three mentions " and " Three repetitive plots" that have been passed down to the present in classical literature, and used them in his novels. There are two main examples of repetition: repetition within a single novel, intertextual repetition across stories, and most of the former. The use of repetitive rhetoric has received at least four effects: The description of a large number of similar social phenomena reflects the social reality from the late Qing Dynasty to the May Fourth Movement, and the theme of the work is often revealed in the hidden imagery mentioned many times. The mantra of the characters has created a lot of classic characters for us, highlighting the usual tragic color in the repeated scene comparison. Therefore, it can be said that the extensive use of repetitive rhetoric is a major feature of Lu Xun's novels.
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