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도시, 유성기, 댄스홀 ― 1920~30년대 상하이 대중음악의 탄생과 그 물질적 조건

City, Gramophone and Dance hall: Birth of Shanghai Popular Music and Its Material Conditions in 1920-30’s

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주제분류중국어와문학

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This article aim to study the birth of Chinese popular music from the perspective of urban cultural environment in the early 20’s Shanghai. To make this point clear, I chose gramophone industry and dance hall as the key elements new urban musical environment. A phonograph and dance halls are both introduced from the west, and lead an unprecedented modern pop culture industry in Shanghai. Shanghai dance hall and music industry, the results of these factors, played a big role to changing musical tastes of Chinese people, including the citizens of Shanghai. The initial form of Chinese pop music is a new urban cultural content that reflects the trend of the time and industry in the early 20th century. So formal features of Chinese initial pop music meet the features and demands of pop culture industry that formed through these media. It is helpful in explaining how the Chinese pop music ― first appeared in the late 20's ― quickly accepted by the public and developed, and continued to sustain its vitality.

Abstract

This article aim to study the birth of Chinese popular music from the perspective of urban cultural environment in the early 20’s Shanghai. To make this point clear, I chose gramophone industry and dance hall as the key elements new urban musical environment. A phonograph and dance halls are both introduced from the west, and lead an unprecedented modern pop culture industry in Shanghai. Shanghai dance hall and music industry, the results of these factors, played a big role to changing musical tastes of Chinese people, including the citizens of Shanghai. The initial form of Chinese pop music is a new urban cultural content that reflects the trend of the time and industry in the early 20th century. So formal features of Chinese initial pop music meet the features and demands of pop culture industry that formed through these media. It is helpful in explaining how the Chinese pop music ― first appeared in the late 20's ― quickly accepted by the public and developed, and continued to sustain its vitality.

참고문헌 (26)

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