본문 바로가기
KERD
논문KCI 등재

黎錦暉와 時代曲의 탄생

Li Jinhui and the Birth of Modern Chinese Popular Song

1

조회

0

다운로드

6

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

Li Jinhui is a Chinese musician who is well known as the first composer of modern Chinese popular song ― Shidaiqu(時代曲). Shidaiqu started in late 1920s, and developeds in Shanghai through 30s and 40s. It is a mixture of Chinese traditional folk song and American jazz, and had a great influence on the history of Chinese popular music. But shidaiqu has always been very controversial musical genre. Elite musicians and leftist musicians both condemned its vulgarness and commercialism, while it was welcomes by the mass listeners. This article focuses on the various aspects of Li Jinhui. He is not only a popular music composer, but also a editor of elementary school text book of Chinese national language. He also was devoted to children music education and revolutionary music. A close examination of Li Jinhui's various aspects will lead to a improved recognition on his musical achivement and cultural environment in metropolis Shanghai.

Abstract

Li Jinhui is a Chinese musician who is well known as the first composer of modern Chinese popular song ― Shidaiqu(時代曲). Shidaiqu started in late 1920s, and developeds in Shanghai through 30s and 40s. It is a mixture of Chinese traditional folk song and American jazz, and had a great influence on the history of Chinese popular music. But shidaiqu has always been very controversial musical genre. Elite musicians and leftist musicians both condemned its vulgarness and commercialism, while it was welcomes by the mass listeners. This article focuses on the various aspects of Li Jinhui. He is not only a popular music composer, but also a editor of elementary school text book of Chinese national language. He also was devoted to children music education and revolutionary music. A close examination of Li Jinhui's various aspects will lead to a improved recognition on his musical achivement and cultural environment in metropolis Shanghai.

참고문헌 (18)

  1. 민경찬, "동아시아와 서양음악의 수용" (2008), 음악세계
  2. 위아이청, "대중음악으로 이해하는 중국" (2005), 학고방
  3. 鄭國民, "從文言文到白話文 - 我國近現代語文教育的變革歷程" (2000), 北京師範大學出版社
  4. 汪毓和, "中國近現代音樂史 3版(修訂版)" (2002), 人民音樂出版社
  5. 滄浪雲, "教我如何不想他: 民國音樂人" (2010), 團結出版社
  6. 伍春明, "“時代曲”與“救亡歌” - 20世紀上半葉中國流行歌曲的人文解讀" (2010), 人民出版社
  7. Andrew F. Jones, "Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age" (2001), Duke University Press
  8. 김수연, "소리 미디어와 근대 시공간 ― 1930년대 상하이 대중문화의 지형학", 중국현대문학, (44), pp.135~163 (2008), 한국중국현대문학학회
  9. 黎錦暉, "我和明月社ㆍ上, In 文化史料叢刊 第三輯" (1982), 文史資料出版社
  10. 黎錦暉, "我和明月社ㆍ下, In 文化史料叢刊 第四輯" (1983), 文史資料出版社
  11. 孫繼南, "對黎錦暉歷史評價的再認識", 人民音樂, (4) (2002)
  12. 孫繼南, "黎錦暉年譜", 齊魯藝苑, (1) (1998)
  13. 孫繼南, "黎錦暉年譜(續)", 齊魯藝苑, (2) (1998)
  14. 朱國華, "阿多諾的大眾文化觀與中國語境", 文藝研究, (11) (2012)
  15. 洪芳怡, "毛毛雨之後: 老上海流行音樂文化中的異國情調", 文化研究月報, (54) (2006)
  16. 葛濤, "聲音記錄下的社會變遷 - 20世紀初葉至1937年的上海唱片業", 史林, (6) (2004)
  17. 黃敏學, "洋場十里毛毛雨閑樂百代滿場飛 - 民國時期上海流行音樂產業及其當下意義", 人民音樂, (2) (2011)
  18. 傅宗洪, "上海流行音樂對現代都市經驗的敘寫 - 以黎錦暉為中心的討論", 文藝爭鳴, (3) (2010)

관련 논문AI추천

이 간행물의 다른 논문 (12건)