『상하이 베이비』와 ‘신인류’의 문화적 징후

Abstract

This article successfully analyzed the China cultural a sign in the latter half of the 90’s showing writings of New Mankind and writings in the 70’s through Weihui’s “Shanghai baby”. Writings of New Mankind would be got ready to make post socialism’s contradiction and historical cracks dissolve, which revealed the spot that new bourgeoisie ideology on the basis of violence of power and market’s rationality conspire with as exposing uneasy identity of themselves. Their writings was expressed by exposing themselves and it was used to be powerful weapons to show themselves. Exposure of sexual love was the way to the most clearly expose false and hypocrisy of realities of life, exposure of writings was the way to obviously dissolve false of representation. And the way of post historical dissolution was reconstructed by consciousness of new space, consciousness of realities with activity of space was organized through writings of urban to Shanghai being fragment. Here urban-Shanghai was not landscapes of work, but was on the field where power was reorganized with theory of capitalism and conflicted with new power clearly. Process of differentiation of urban space being hierarchy was meaned social closured. Such a tension of space force them to be circumference. When generation in the latter half of 80’s pretending to be Chinese nationalism precisely was seamed cracks of their system now, writings in the 70’s is revealed contradiction and cracks that is real.