타이완 문학의 개념에 관하여(1)
On the Concept of Taiwan Literature (1)
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초록
The controversy over the notion of 'taiwan literature' that broke out in Taiwan in the early 1980s and kept its galvanizing force well into the 1990s generated much passion and anxiety and given rise to much intellectual provocation and reflection. The controversy over the nature of Taiwan literature may yield no less far-reaching an impact than the calls for a literary revolution that, announcing the arrival of the May Fourth enlightenment in the late 1910s, formally ushered in a New Literature that would help establish the paradigm of modern Chinese literature. The objective of this article is to trace the development of the idea of Taiwan literature since the early 1980s and to reconstruct and appreciate the complexity of the discourse. In addition to conscientiously fostering studies of the native literary tradition, the journal Literary Taiwan also promoted a clearly delineated Taiwan Literature. The two guiding principles that the journal endorsed were 'originality' and 'nativization'. This originality distinguishes Taiwan literature from the literature produced across the Taiwan Strait, but it does not deny that Taiwan literature is part of the larger Chinese literature. The conceptual ambiguity of 'originality' acquired an active life of its own and was enabled by totalizing view of continuity that accords Taiwan literature its historical significance. It would reemerge with full vengeance in the discourse of Taiwan literature, the political thrust of which was no longer aimed at Western cultural imperialism or economic colonialism. Taiwan literature which, just like the history of Taiwan, is admittedly a complex record of breaks, shifts, and upheavals. Articles to endorse Taiwan literature as a symbol of cultural self-sufficiency and independence proposed a 'screening criterion' by which to examine and define what constitutes Taiwan literature proper and addressed a relevance to the Taiwan independence movement through 'issues concerning the navivization of Taiwan literature at the present stage'. Between the unificationists and the nativists, there is no consensus achieved on how to resolve the conflict.
Abstract
The controversy over the notion of 'taiwan literature' that broke out in Taiwan in the early 1980s and kept its galvanizing force well into the 1990s generated much passion and anxiety and given rise to much intellectual provocation and reflection. The controversy over the nature of Taiwan literature may yield no less far-reaching an impact than the calls for a literary revolution that, announcing the arrival of the May Fourth enlightenment in the late 1910s, formally ushered in a New Literature that would help establish the paradigm of modern Chinese literature. The objective of this article is to trace the development of the idea of Taiwan literature since the early 1980s and to reconstruct and appreciate the complexity of the discourse. In addition to conscientiously fostering studies of the native literary tradition, the journal Literary Taiwan also promoted a clearly delineated Taiwan Literature. The two guiding principles that the journal endorsed were 'originality' and 'nativization'. This originality distinguishes Taiwan literature from the literature produced across the Taiwan Strait, but it does not deny that Taiwan literature is part of the larger Chinese literature. The conceptual ambiguity of 'originality' acquired an active life of its own and was enabled by totalizing view of continuity that accords Taiwan literature its historical significance. It would reemerge with full vengeance in the discourse of Taiwan literature, the political thrust of which was no longer aimed at Western cultural imperialism or economic colonialism. Taiwan literature which, just like the history of Taiwan, is admittedly a complex record of breaks, shifts, and upheavals. Articles to endorse Taiwan literature as a symbol of cultural self-sufficiency and independence proposed a 'screening criterion' by which to examine and define what constitutes Taiwan literature proper and addressed a relevance to the Taiwan independence movement through 'issues concerning the navivization of Taiwan literature at the present stage'. Between the unificationists and the nativists, there is no consensus achieved on how to resolve the conflict.
참고문헌 (6)
- Sung-sheng Yvonne Chang, "중국 당대문학: 경계 초월(Contemporary Chinese Literature: Crossing the Boundaries)", 문학 동과 서(Literature East and West), (특별) (1995)
- 高天生, "타이완 문학의 앞에 놓인 갈라진 길(The forked road in front of Taiwan literature)", pp.215~222 (1985)
- Linda G. Wang, "Taiwan Literature: English Translation Series 4권", pp.99~102
- Mabel Lee, "Taiwan Literature: English Translation Series 4권", pp.9~11
- 高天生, "새 위기와 새 전망: 향토문학 논쟁 후 타이완 문단 발전의 고찰", 223~235 (1985)
- 陈芳明, "허무주의적인 고향? 소설가가 쓴 타이페이인의 이미지들(The homeland of nihilism? Image of Taipei people from some novelists)", 242~251 (1994)
