革命時代의 ‘浪漫敍事’는 어떻게 構想되는가?― 蔣光慈의 『十月革命與俄羅斯文學』 다시 읽기(1)
How is the Romantic Narrative of ‘Revolutionary Era’ Conceived?: To Reperuse October Revolution and Russian Literature by Jiang Guang Ci
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It is a challenge to feature a ‘romance’ in an epic during a revolutionary era. “Reflections on League of Left-Wing Writers” by Lu Xun, a well known Chinese writer, has point of interest in respect of focusing into ‘Romance’. Although people spontaneously stepped in calling themselves revolutionists, the sharp observation on swaggering ‘Salon Socialists’ who were distant from the reality cast a damp over the welcoming warm breeze that was sought for long. A bloody and rubbishy ‘revolution’ and ‘romance,’ which rather be suitable in salons, seem to be incompatible. By widening the gap between two perspectives, revolution and romance, a revolutionary fever with naive attitude was slowed down and extensive diversion in the viewpoint on the revolution had been requested. There is no way for the upcoming revolution to be realized as the “fantasy or ideal”. In fact, the revolution reveals its true self after encountering a cold harsh actualities since it does not ideologically pre-exist. However, the revolution is an endless process as a result of a desperate struggle against reality. That is why Lu Xun, who had accumulated records of failed revolutions, prevised a revolutionary optimism. The problem is that a radical disposal of fantasy and ideal could lead to an abolition of symbolic order that is formed with those two. It is interesting that the anti-romance situation incurred by consecutive failures of revolutions paradoxically resulted in, firstly, disproving that the revolutionary literature of those days inevitably included all elements of romance, and, secondly, well demonstrating that attractiveness of ‘Imagination’, ‘Fantasy’ and ‘Ideal’ were shedded on revolutionary actualities. October Revolution and Russian Literature by Jiang Guang Ci, published serially in the birth period of revolutionary literature (1926~1928), is a good starting point for discussing the relationship between revolution and romance. Even though Jiang Guang Ci’s motivation was to introduce “Russian Literary Circles in Revolutionary era,” this series give us a glimpse of the current literature phenomena at the era when he envisioned the revolutionary epic and also show what relationships between revolution and romance he noticed. Perusing October Revolution and Russian Literature by Jiang Guang Ci, these issues will be reviewed in the main part while slowly reading the text.
Abstract
It is a challenge to feature a ‘romance’ in an epic during a revolutionary era. “Reflections on League of Left-Wing Writers” by Lu Xun, a well known Chinese writer, has point of interest in respect of focusing into ‘Romance’. Although people spontaneously stepped in calling themselves revolutionists, the sharp observation on swaggering ‘Salon Socialists’ who were distant from the reality cast a damp over the welcoming warm breeze that was sought for long. A bloody and rubbishy ‘revolution’ and ‘romance,’ which rather be suitable in salons, seem to be incompatible. By widening the gap between two perspectives, revolution and romance, a revolutionary fever with naive attitude was slowed down and extensive diversion in the viewpoint on the revolution had been requested. There is no way for the upcoming revolution to be realized as the “fantasy or ideal”. In fact, the revolution reveals its true self after encountering a cold harsh actualities since it does not ideologically pre-exist. However, the revolution is an endless process as a result of a desperate struggle against reality. That is why Lu Xun, who had accumulated records of failed revolutions, prevised a revolutionary optimism. The problem is that a radical disposal of fantasy and ideal could lead to an abolition of symbolic order that is formed with those two. It is interesting that the anti-romance situation incurred by consecutive failures of revolutions paradoxically resulted in, firstly, disproving that the revolutionary literature of those days inevitably included all elements of romance, and, secondly, well demonstrating that attractiveness of ‘Imagination’, ‘Fantasy’ and ‘Ideal’ were shedded on revolutionary actualities. October Revolution and Russian Literature by Jiang Guang Ci, published serially in the birth period of revolutionary literature (1926~1928), is a good starting point for discussing the relationship between revolution and romance. Even though Jiang Guang Ci’s motivation was to introduce “Russian Literary Circles in Revolutionary era,” this series give us a glimpse of the current literature phenomena at the era when he envisioned the revolutionary epic and also show what relationships between revolution and romance he noticed. Perusing October Revolution and Russian Literature by Jiang Guang Ci, these issues will be reviewed in the main part while slowly reading the text.
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