쉬쿤(徐坤)의 전략으로서의 냉소— 은희경과의 비교를 바탕으로
A Study on the Xu-kun’s Cynicism as a Narrative Strategy: Based on the Comparison with Eun Hee-kyung
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
The Chinese character for cynicism (冷笑) means ‘cold laughter’. Satire and cynicism are representative narrative strategies that use aggression, a fundamental attribute of laughter. Although cynicism belongs to the subcategory of satire, it differs from satire in that it can be the object of me as well as others, and it is accompanied by a certain degree of acceptance attitude. Meanwhile, cynicism is negatively evaluated in that it sometimes results in nihilism. This study aims to examine the affirmative meaning of cynicism as one of the narrative strategies and to identify the way and meaning of cynicism. Since cynicism is not blind, it can be rather productive, and the gaze based on cynicism is an attempt to secure the distance of reflection. Therefore, cynicism shows the possibility of going to self-reflection and dissolution as an important key to entering into one’s abyss. The narrative based on cynicism in Xu-kun’s works is meaningful in that it is an expression of awareness and overcoming.
Abstract
The Chinese character for cynicism (冷笑) means ‘cold laughter’. Satire and cynicism are representative narrative strategies that use aggression, a fundamental attribute of laughter. Although cynicism belongs to the subcategory of satire, it differs from satire in that it can be the object of me as well as others, and it is accompanied by a certain degree of acceptance attitude. Meanwhile, cynicism is negatively evaluated in that it sometimes results in nihilism. This study aims to examine the affirmative meaning of cynicism as one of the narrative strategies and to identify the way and meaning of cynicism. Since cynicism is not blind, it can be rather productive, and the gaze based on cynicism is an attempt to secure the distance of reflection. Therefore, cynicism shows the possibility of going to self-reflection and dissolution as an important key to entering into one’s abyss. The narrative based on cynicism in Xu-kun’s works is meaningful in that it is an expression of awareness and overcoming.
참고문헌 (21)
- 고미숙, "순정과 냉소 사이에서 표류하는 페미니즘 - 『착한 여자』(공지영)와 『타인에게 말하기』(은희경)에 대한 단상", 작가세계, (겨울) (1997)
- 김경남, "쉬쿤 徐坤 소설론", 외국문학연구, (49), pp.9~32 (2013), 외국문학연구소
- 김경남, "1990년대 한·중 양국문학의 한 단면 - 공지영의 『무소의 뿔처럼 혼자서 가라』와 천란(陳染)의 『私人生活』의 비교를 중심으로", 중국학보, (83), pp.157~182 (2018), 한국중국학회[DOI]
- 김순진, "다시 쓰는 여성의 서사 :-천란(陳染)의《개인생활(私人生活)》을 중심으로―", 중국어문논역총간, (13), pp.225~242 (2004), 중국어문논역학회
- 김은하, "1990년대 여성 서사의 귀환과 ‘낭만적 사랑’의 종언 - 은희경의 『새의 선물』을 중심으로", 열린정신 인문학 연구, 22(1), pp.203~231 (2021), 인문학연구소
- 김형종, "냉정과 열정사이-은희경론", 작가세계, (가을) (2005)
- 백지은, "손창섭 소설에서 '냉소주의'의 의미", 현대소설연구, 20, pp.275~304 (2003), 한국현대소설학회
- 성은애, "문학에서의 웃음과 시니시즘", 문학동네, 5(2) (1998)
- 쉬쿤, "상수리나무 여관" (2015), 글누림
- 오춘화, "한⋅중 여성 성장소설의 여성의식 비교 연구 - 1990년대 작품을 중심으로", 문예운동, (106) (2010)
- 은희경, "마지막 춤은 나와 함께" (1998), 문학동네
- 은희경, "새의 선물" (2014), 문학동네
- 천쓰허, "중국 당대 문학사" (2008), 문학동네
- 황종연, "비루한 것의 카니발" (2013), 문학동네
- 戴锦华, "奇遇與突圍- 九十年代女性寫作", 文学评论, (5) (1996)
- 黎慧, "徐坤 : 性別與僭越", 當代作家评论, (1) (1997)
- 陶东风, "旷野上的碎片关于知识分子的报告—读徐坤的知识分子题材小说", 當代作家评论, (4) (1996)
- 徐坤, "双调夜行船——九十年代的女性写作" (1999), 山西教育出版社
- 徐坤, "中國小說50强1978-2000年 : 徐坤白話" (2001), 時代文藝出版社
- 易文翔, "坚持自我的写作——徐坤访谈录", 小说评论 (2005)
- 祝勇, "性别之外的徐坤", 中国图书评论, (01) (1996)