본문 바로가기
KERD
논문KCI 등재

후세인 살라얀의 패션 작품에 나타난 미디어 아트의 표현 특성

Expressional Characteristics of Media Art in Hussein Chalayan's Fashion Works

0

조회

0

다운로드

9

인용

0

참고문헌

키워드

주제분류의상

초록

This article aims to research and analyze expressional characteristics of media art in Hussein Chalayan's fashion works. Media technology has made rapid progress over every society, in which it enables multi-dimensional communication. Under this social background, media art can use a multiplicity of technologies and go public. Media art had great influences in fashion with the leading designer as Hussein Chalayan. His works has been selected from the 90s up until 2008 focusing on expressional characteristics of media art by a professional group of fashion design. By classifying and analyzing of Hussein Chalayan's fashion works, expressional characteristics of media art displayed from works of the late 90s, and in recent years, the use of various technologies has increased. Expressional characteristics of media art in his works have been re-classified as interactivity, transformation, visualization, and transparency. First, interactivity by the wearer's action and emotional change is effective on emotional express, body protection and the causing of interest. Second, transformation by the wearer's action, functioning, and emotional change is influenced by convenience, body protection, and causing concern. Third, immateriality in media art is divided into visualization and transparency, and in fashion structural and material characteristics. Visualization by internal luminous source and digital images influences immersion and expression on fantasy images. Fourth, transparency by immaterial characteristics and piled up images affects openness and camouflage. Development of material and technology paves the way for expressional characteristics of media art in fashion. The trend of Hussein Chalayan's works moves towards emotional high-tech design with technology.

Abstract

This article aims to research and analyze expressional characteristics of media art in Hussein Chalayan's fashion works. Media technology has made rapid progress over every society, in which it enables multi-dimensional communication. Under this social background, media art can use a multiplicity of technologies and go public. Media art had great influences in fashion with the leading designer as Hussein Chalayan. His works has been selected from the 90s up until 2008 focusing on expressional characteristics of media art by a professional group of fashion design. By classifying and analyzing of Hussein Chalayan's fashion works, expressional characteristics of media art displayed from works of the late 90s, and in recent years, the use of various technologies has increased. Expressional characteristics of media art in his works have been re-classified as interactivity, transformation, visualization, and transparency. First, interactivity by the wearer's action and emotional change is effective on emotional express, body protection and the causing of interest. Second, transformation by the wearer's action, functioning, and emotional change is influenced by convenience, body protection, and causing concern. Third, immateriality in media art is divided into visualization and transparency, and in fashion structural and material characteristics. Visualization by internal luminous source and digital images influences immersion and expression on fantasy images. Fourth, transparency by immaterial characteristics and piled up images affects openness and camouflage. Development of material and technology paves the way for expressional characteristics of media art in fashion. The trend of Hussein Chalayan's works moves towards emotional high-tech design with technology.

참고문헌 (15)

  1. "뉴미디어(New Media)는 기존의 미디어와는 전혀 다른 새로운 미디어를 의미하기도 하고, 또는 기존 미디어의 기술적 응용과 활용방법의 변화에 의해 새로운 미디어로 활용되는 것을 말한다. 최근의 뉴미디어는 컴퓨터 기술과 통신 기술의 결합으로 이루어진 양방향의 의사소통이 가능한 미디어로 일 방향적인 매스 미디어에 대한 상대적인 의미를 포함하고 있다. 출처: 두산백과사전", ~
  2. 김혜영, "의복에서의 탈구조적 공간과 가시성에 대한 연구: 후세인 칼라얀의 디자인을 중심으로", 한국복식학회, 50(4), pp.5~20 (2000)
  3. 장안화, "현대 패션쇼에 나타난 퍼포먼스적 요소: 1990년 이후 파리. 런던 컬렉션을 중심으로", 한국복식학회, 51(4), pp.71~80 (2001)
  4. 장애란, "Hussein Chalayan의 실험적 디자인", 복식, 52(5), pp.91~107 (2002), 한국복식학회
  5. 전지현, "패션디자인에 나타난 디지털 이미지에 관한 연구-후세인 살라얀의 작품을 중심으로", 석사, pp.2007
  6. [URL]
  7. Christian Paul, "DIGITAL ART", pp.7~10 (2007), 서울: 시공사
  8. Christian Paul, "Op. cit", 33~34 (2007)
  9. 김문환, "레오나르도를 되살린다 :과학. 기술 + 예술의 미학", pp.181~ (1996), 서울: 신구
  10. H.M. Mclihan, "미디어의 이해: 인간의 확장", pp.8~9 (2001), 서울: 커뮤니케이션북스
  11. 이현아, "사이버 건축의 비물질성에 관한 연구", 대한건축학회 논문집 (2000)
  12. 김성민, "디지털 매체 혹은 가상현실에서 이미지의 문제", 시대와 철학, 15(1), pp.7~31 (2004), 한국철학사상연구회
  13. 허차원, "New-media의 특성으로 본 현대건축의 표현경향에 관한 연구 -상호작용성, 비물질적 감상성, 비선형성", 석사, pp.2000
  14. 장애란, "Op. cit", 94~ (2002)
  15. Suzanne Lee, "FASHIONING THE FUTURE-Tomorrow’s Wardrobe", pp.81~ (2004), NewYork: Thames & Hudson

관련 논문AI추천

이 간행물의 다른 논문 (14건)