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후세인 샬라얀의 작품에 나타난 하이테크 패션의 미적 특성 - 2000년 이후를 중심으로 -

Aesthetic Characteristics of High-tech Fashion through Hussein Chalayan’s Works after 2000

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In the 21st century, the development of technology overturned the paradigm of the entire society and culture, and the term ‘high-tech’ became generally accepted around the world by the momentous advances of technology. The purpose of this study is to define the concept of high-tech fashion by clarifying the characteristics of high-tech fashion, and to propose the proper approach toward the coming fashion. Hussein Chalayan shows the experimental and futuristic designs based on the cultural context of architecture and sculpture. Moreover, the scope of this study has been limited into Hussein Chalayan's recent works after the year 2000 up to 2007. High-tech architecture has been, in some ways, a response to grow technology a new aesthetic in contrast with standard modern architecture. High-tech architecture aimed to achieve a new industrial aesthetic, spurred on by the renewed faith in the progression of technology. However, no matter how prominent the industrial look appeared, the functional element of modern architecture has been very much retained. The characteristics of high-tech architecture that had been extracted by analyzing the antecedent studies were: technocism, transformability, and dynamism. Furthermore, the characteristics of high-tech fashion has been explained based on the characteristics of high-tech architecture. First, technocism is expressed either by the new technologized materials, and advanced digital technology. Second, transformability is expressed in the transformable clothing, which performs various functions. Third, dynamism is displayed in dynamic forms influenced by the technology of engineering. High-tech will be the dominant influence in fashion, and the designers will be enamored with the technologies of the new millenium. Architecture and fashion share the characteristics of high-tech, and their common cultural features is confirmed again.

Abstract

In the 21st century, the development of technology overturned the paradigm of the entire society and culture, and the term ‘high-tech’ became generally accepted around the world by the momentous advances of technology. The purpose of this study is to define the concept of high-tech fashion by clarifying the characteristics of high-tech fashion, and to propose the proper approach toward the coming fashion. Hussein Chalayan shows the experimental and futuristic designs based on the cultural context of architecture and sculpture. Moreover, the scope of this study has been limited into Hussein Chalayan's recent works after the year 2000 up to 2007. High-tech architecture has been, in some ways, a response to grow technology a new aesthetic in contrast with standard modern architecture. High-tech architecture aimed to achieve a new industrial aesthetic, spurred on by the renewed faith in the progression of technology. However, no matter how prominent the industrial look appeared, the functional element of modern architecture has been very much retained. The characteristics of high-tech architecture that had been extracted by analyzing the antecedent studies were: technocism, transformability, and dynamism. Furthermore, the characteristics of high-tech fashion has been explained based on the characteristics of high-tech architecture. First, technocism is expressed either by the new technologized materials, and advanced digital technology. Second, transformability is expressed in the transformable clothing, which performs various functions. Third, dynamism is displayed in dynamic forms influenced by the technology of engineering. High-tech will be the dominant influence in fashion, and the designers will be enamored with the technologies of the new millenium. Architecture and fashion share the characteristics of high-tech, and their common cultural features is confirmed again.

참고문헌 (25)

  1. 김자영, "테크노 패션 디자인의 기능성과 그 특성에 관한 연구", 석사, pp.2003
  2. 정국현, "21C, 디자인의 새로운 가치를 찾아서", 마케팅, 260(1), pp.33~39 (1999)
  3. 김환식, "하이테크 건축의 계획특성 고찰", 영동대학교 연구논집, 7, pp.249~ (2001)
  4. 나현신, "복식의 역사적 절충주의 양식-19C와 20C를 중심으로", 박사, pp.2001
  5. 김혜영, "의복에서의 탈구조적 공간과 가시성에 대한 연구-후세인 칼라얀의 디자인을 중심으로", 복식, 50(4), pp.5~20 (2000)
  6. 장애란, "Hussein Chalayan의 실험적 디자인", 복식, 52(5), pp.91~107 (2002), 한국복식학회
  7. Ibid, "Ibid", 93~
  8. 성현지, "하이테크 건축을 응용한 의상디자인 연구: Santiago Calatrava's 작품을 중심으로", 석사, pp.2005
  9. 김환식, "Op. cit", 249~ (2001)
  10. "현대 건축에 있어서 브뤼탈리즘은 1954년, 영국의 건축가 부부인 Alison과 Peter Smithson으로부터 비롯된 독특한 건축적 태도에서부터 시작된 것으로, 이들이 설계한 헌스탄톤(Hunstanton)중학교 건축에서는 철골과 블록 재료를 그대로 노출하였고, 특히 급배수관을 비롯한 설비시설의 과감한 노출이라는 인상적인 작업이 최초로 시도되었다", ~
  11. 성현지, "Op. cit", 10~11 (2005)
  12. "Ibid", 5~
  13. Peter Buchanan, "High-tech,Architecture Review July", 15~ (1983)
  14. Colin Davis, "Le High-tech N'est-II Qu'un Style?", L'Architecture Aujourd'hul, 237, pp.42~ (1985)
  15. 성현지, "Op. cit", 7~ (2005)
  16. 김희정, "예술사조에 있어서 하이테크의 조형개념과 그 표현에 대한 환경디자인 모형사례연구", 석사, pp.1996
  17. 한영호, "하이테크 스타일의 실내디자인에 관한 연구", 상명대학교 논문집, 26, pp.426~ (1990)
  18. 김환식, "Op. cit", 251~ (2001)
  19. 김희정, "Op.cit.", 50~77 (1996)
  20. 성현지, "인터페이스(Interface)란, 개별적으로 완성된 시스템과 시스템이 연결되어 복합적인 새로운 기능이 생기는 것과 같은 경우를 의미한다,Op. cit", 36~ (2005)
  21. "Ibid", 26~
  22. 이철규, "현대 하이테크 건축의 작품경향에 관한 연구", 석사, pp.1987
  23. 장애란, "Op. cit", 92~ (2002)

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