중국 경극(京劇) 배역의 의상 디자인 특성을 응용한 패션 디자인
Fashion design applying the features of the Peking Opera's costume
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The Peking Opera is one of the most representative cultural aspects of China. It includes China's traditional specialties, such as stage performance, stage background, and costumes. The purpose of this study is to investigate the characters and the costume characteristics of the Peking Opera to present fashion design. This research is meaningful for spreading the Peking Opera to the world by applying China's traditional costumes to fashion design. Based on the cultural background of the Peking Opera and the analysis of the opera costume, four sets of women's clothes were made by using the traditional Chinese elements. The conclusions are as follows. First, traditional features such as patterns, colors, and styles from Peking Opera costumes were used in fashion design. The colors and patterns use Chinese traditional aesthetics to carry out contemporary fashion design and apply creative materials. Second, the neoprene used to create the items is a material suitable for the modern design of the traditional Peking Opera costumes. Neoprene has good elasticity and can be cut and sewn in a variety of ways. It can also satisfy the three-dimensional atmosphere and rich morphological changes found in Peking Opera costumes. In addition, a combination of thin chiffon and mesh materials is also suitable for the development of modern designs. Finally, in order to show the effects of traditional works, the patterns were finished by hand-painting. The hand-painted works were then scanned and printed on the material by the digital printing techniques. At the conclusion, the traditional features and feelings of the contemporary designs were presented.
Abstract
The Peking Opera is one of the most representative cultural aspects of China. It includes China's traditional specialties, such as stage performance, stage background, and costumes. The purpose of this study is to investigate the characters and the costume characteristics of the Peking Opera to present fashion design. This research is meaningful for spreading the Peking Opera to the world by applying China's traditional costumes to fashion design. Based on the cultural background of the Peking Opera and the analysis of the opera costume, four sets of women's clothes were made by using the traditional Chinese elements. The conclusions are as follows. First, traditional features such as patterns, colors, and styles from Peking Opera costumes were used in fashion design. The colors and patterns use Chinese traditional aesthetics to carry out contemporary fashion design and apply creative materials. Second, the neoprene used to create the items is a material suitable for the modern design of the traditional Peking Opera costumes. Neoprene has good elasticity and can be cut and sewn in a variety of ways. It can also satisfy the three-dimensional atmosphere and rich morphological changes found in Peking Opera costumes. In addition, a combination of thin chiffon and mesh materials is also suitable for the development of modern designs. Finally, in order to show the effects of traditional works, the patterns were finished by hand-painting. The hand-painted works were then scanned and printed on the material by the digital printing techniques. At the conclusion, the traditional features and feelings of the contemporary designs were presented.
참고문헌 (61)
- 고신, "경극의 이해" (2006), 박이정
- 김지언, "중국 경극 의상의 색채특성", 복식, 59(2), pp.143~153 (2009), 한국복식학회
- 김학주, "위대한 중국의 대중예술 경극(京劇)" (2010), 명문당
- 두문, "중국경극 의상과 얼굴분장의 상징성", 석사, 의류학, pp.2011
- 유진희, "청대 궁정의 연극기구 고찰", 중국어문학논집, (59), pp.421~437 (2009), 중국어문학연구회
- 송철규, "경극" (2004), 살림출판사
- 신경섭, "京劇(Peking Opera) <獨木關>의 淵蓋蘇文 무대의상 디자인 연구", 박사, 의류직물학, pp.1998
- 위슈엔, "경극 요소를 차용한 자연이미지 표현 연구", 석사, 서양화학과 서양화전공, pp.2013
- 이경주, "중국 경극의상의 미적요소를 응용한 현대 패션디자인 연구", 석사, 패션디자인, pp.2003
- 이정옥, "청대 복식사" (1999), 형설출판사
- 유리리, "배역에 따른 중국 경극 의상과 분장의 표현특성 : 조씨고아·사랑탐모·목계영괘사 사례를 중심으로", 석사, 의류학과, pp.2012
- 정유선, "중국 경극 의상의 연극적 특성", 중국문학연구, (54), pp.99~121 (2014), 한국중문학회
- 차미경, "경극 인물분장의 문화적 의미", 중어중문학, 35, pp.433~462 (2004), 한국중어중문학회
- 탄위엔지에, "중국 경극 의상" (2008), 민속원
- 허형월, "중국 경극 여성 배역의 의상 특징을 활용한 패션디자인 연구", 석사, pp.2016
- "Peking opera characters in journey to the west" (2017)[URL]
- "Chinese Peking opera Costumes–cape" (2020)[URL]
- "Chinese traditional painting" (2009)[URL]
- China Peking opera Art Foundation, "Talking about art: one hundred famous masters oralizing the history of Peking opera inheritance in the past 100 years" (2015), Shanghai Century Publishing House
- "Ranking of the three villains wronged in ancient China" (2010)[URL]
- "Peking opera “Farewell my concubine” and “Guangtai village”" (2018)[URL]
- Fu, Y., "Talking about the drative paerns and colors of Peking opera costumes", pp.2~ (2013), China Academic Journal Electronic Publishing House
- "Various painting methods of Chinese plum blossom" (2018)[URL]
- "“More Vulgar summer” Peking opera" (2018)[URL]
- Huang, J., "Chinese Peking opera cultural dictionary" (2001), Chinese Dictionary Press
- Huang, D., "Chinese opera" (2000), Beijing Arts and Crafts Press
- "Peking opera theatre of Hubei province-Pei Yongjie" (2020)[URL]
- "Peking opera costume-python" (2018)[URL]
- "Behind the scenes of the Beijing Opera Gaopai National Tour" (2018)[URL]
- "Peking opera Dragon and Phoenix" (2018)[URL]
- "Peking opera special “Su Xiaomei”" (2018)[URL]
- "Opera costume map" (2018)[URL]
- Liu, J., "Opera art education" (2008), People's Publishing House
- Liu, S., "The role of color in Peking opera costumes", Art Research, 3, pp.40~41 (2013)
- "Lu Jianzhong (Wu Sheng)" (2018)[URL]
- "Go to the roof to make gold bricks" (2012)[URL]
- "Peking opera “Wild Boar Forest”" (2018)[URL]
- "Chinese opera costume patterns(80 pieces)" (2017)[URL]
- "Costume name, opera knowledge, collection of costume elements" (2018)[URL]
- "Farewell my concubine" (2010)[URL]
- Qi, L., "Peking opera form features" (2003), Tianjin Ancient Books Publishing House
- "Block the Horse" (2014)[URL]
- "Peking opera- Python pattern"[URL]
- "Image ID: 121-0484" (2017)[URL]
- "Yang Zongbao" (2013)[URL]
- "Chinese traditional painting chrysanthemum painting method" (2019)[URL]
- "Tianyuan Jingkun" (2019)[URL]
- Tiehan, M., "The charm of Peking opera" (2009), Jiangxi Publishing Group
- Wang, J., "The use of traditional Peking opera apparel patterns on branded clothing", pp.2016
- "Do people from the Song Dynasty need to kneel when they go to court in Yamen?" (2015)[URL]
- Xu, S., "Discussion on chinese aesthetic consciousness" (1989), Beijing Opera Publishing House
- Xu, Y., "The application of Peking opera costume elements in wedding dress design", Journal of Jiaxing University, 25(3), pp.119~124 (2015)
- "Appreciation of Chinese opera costume patterns" (2015)[URL]
- "Chinese opera costume pattern" (2018)[URL]
- "Sichuan and Guangdong opera bones on the same stage" (2018)[URL]
- "Peking opera Huang Zhong" (2010)[URL]
- Yu, C., "History of chinese contemporary opera" (2005), Xueyuan Press
- "Ask Qiao Nao mansion, beat the club out of the box" (2017)[URL]
- "Qinghuan - hobby is also a kind of life" (2017)[URL]
- Zhu, W., "Cultural connotation of Beijing opera costumes", Home Drama, 3, pp.18~19 (2016)
