중국 수묵화를 활용한 월분패 치파오의 패션디자인 연구

Abstract

The purpose of this study was to produce the fashion design onto which a traditional characteristic was grafted and which was in harmony with a modern style, by examining the design of Qipao, presented in the Yuefenpai (unique Chinese calendar) in the 1930s, and using such characteristics of Chinese ink-and-wash painting as blank and color depth. This study only dealt with the Yuefenpai in the 1930s, since with the open-door policy of China, Western civilization and its modern styles of advertisement had been flooding into China at that time and therefore the distribution of Yuefenpai came to the climax. In this regard, this study collected and analyzed 213 Yuefenpais in the 1930s, based on the results of analysis on the form of Qipaos, presented in Yuefenpais in the 1930s. By its design components, together with the analysis on Chinese ink-and-wash paintings, six modern fashion design works were produced, focusing on such typical design elements as knot buttons, side-opening and bias trimming (two works per element). The significance of this study seems to be in that as it applied the unique and traditional elements of Qipaos and the Oriental characteristics of ink-and-wash paintings to the modern design, based on the examination on Qipaos in Yuefenpais, namely by working out of modern fashion design works that combining Chinese traditional form of costumes and arts, it presented the potential of developing and activating traditional cultural elements in the modern design works.