변신모티브영화에서 변신캐릭터의 조형특성으로 본 주체의 욕망

Abstract

This research is aimed for catching what is the desire of the subject to be presented by the formative features of transformed character in Metamorphosis-motif film. According to René Girard's 'Triangle of the Desire', the subject in narrative of Metamorphosis-motif, comes to be same with the mediator, imitating Médiateur du Désir in order to be same with desiring object, or can be seen completing transformation, coexisting the subject and mediator in a single body. At this time, the transformed body has the formative features of hybrid combining the double forms. The cinema audiences understood the meaning of desire by translating the formative features of this transformed body as the symbolic metaphor to the subject’s desire. In this process, the formative features of transformed character, making the mediator’s capability as mine by combining the subject’s capability with the mediator’s one, creates narrative of Metamorphosis-motif as like happy ending. On the contrary, transformed character, combining the subject of unconscious desire or greedy desire with unintended creature or the mediator of wrong model in the virtual world of cinema, has been created as the narrative finally aiming for the tragedy by the conflict of the two sides’ indirect desires. As like this, metamorphosis-motif film draw the desire of contemporaries sharing the experiences of common deficiency and hope in our society today, through the transformed character trying to represent the subject’s desire as a visual symbol confusing between the dichotomy values as like good and evil, reality and unreality, exposure and restrain, instinct and reason.