패션에 나타난 동서양 문화 퓨전 이미지의 미적 가치에 대한 연구
Aesthetic Value of Orient-West Culture Fusion Image in Fashion
1
조회
0
다운로드
1
인용
0
참고문헌
키워드
초록
The purpose of this study is to help understanding of east-west culture fusion in fashion since 2000 years, to play a guideline's role in the development on fashion designs study. The methods of this study are academic literatures as well as practical study through case studies about actual works. Tendency of east-west culture fusion in fashion since 2000 years is shape and performance, pattern, accessary. Shape and performance are reinterpreted through east folk fashion transforming on west fashion, pattern shows traditional pattern of each nations, but letters of typical of each nations appears for new pattern which expresses nation identification. Accessary is in the harmony with east-west fashion culture like that without transform. Aesthetic value of east-west culture fusion in fashion since 2000 years is summerised opening, co-ownership, and amusement. First, opening is positiveness of acception and acknowledgment for other. Second, co-ownership turns towards humanism, and proves participating in globalism and really global village. Third, amusement is to express freedom, and to reveal privately emotion concealing in public area.
Abstract
The purpose of this study is to help understanding of east-west culture fusion in fashion since 2000 years, to play a guideline's role in the development on fashion designs study. The methods of this study are academic literatures as well as practical study through case studies about actual works. Tendency of east-west culture fusion in fashion since 2000 years is shape and performance, pattern, accessary. Shape and performance are reinterpreted through east folk fashion transforming on west fashion, pattern shows traditional pattern of each nations, but letters of typical of each nations appears for new pattern which expresses nation identification. Accessary is in the harmony with east-west fashion culture like that without transform. Aesthetic value of east-west culture fusion in fashion since 2000 years is summerised opening, co-ownership, and amusement. First, opening is positiveness of acception and acknowledgment for other. Second, co-ownership turns towards humanism, and proves participating in globalism and really global village. Third, amusement is to express freedom, and to reveal privately emotion concealing in public area.
참고문헌 (29)
- 곽태기, "중국, 일본, 한국의 오리엔탈리즘패션에 나타난 토탈패션(Total Fashion)에 관한 연구", 복식, 52(5), pp.109~127 (2002), 한국복식학회
- 곽태기, "현대패션에 반영된 퓨젼이미지에 관한 연구", 복식, 55(5), pp.14~27 (2005), 한국복식학회
- 김남연, "퓨전의 미학", 프랑스문학예술연구, 3 (2000)
- 김민자, "20세기 패션에 나타난 모더니즘과 포스트모더니즘에 대한 연구(Ⅰ)", 복식, 37, pp.103~118 (1998)
- 김민자, "20세기 패션에 나타난 모더니즘과 포스트모더니즘에 대한 연구(Ⅱ)", 복식, 38, pp.369~392 (1998)
- 김소라, "서울컬렉션에 나타난 퓨전 스타일 연구", 석사, pp.2003
- 김유로, "1990년대 패션에 나타난 쾌락주의", 석사, pp.1999
- 김후란, "패션에 나타난 퓨전 이미지에 관한 연구 - Retro를 중심으로 -", 복식문화연구, 11(2), pp.293~319 (2003), 복식문화학회
- 라사라패션교육개발원, "복식대사전" (2002), 라사라
- 박명희, "1980년대 패션에 나타난 포스트모더니즘에 관한 연구", 박사, pp.1990
- 박수현, "현대 패션디자인에 나타난 퓨전스타일 연구", 석사, pp.2005
- 성기완, "재즈를 찾아서" (1996), 문학과 지성사
- 안병기, "패션전문영어의 이해" (2010), 경춘사
- 왕애령, "현대 중국풍 패션에서 나타난 조형적 특성에 관한 연구", 석사, pp.2007
- 유현정, "문양의 이미지 포지셔닝 개발에 관한 연구", 박사, pp.2008
- 유현정, "패션에 나타난 한국미의 조형성과 디자인 요소", 한국의상디자인학회지, 12(1), pp.51~59 (2010), 한국의상디자인학회
- 유현정, "한국ᆞ중국ᆞ일본 전통복식에 나타난 문양의 조형적 특성과 조형미", 한국의상디자인학회지, 12(2), pp.107~117 (2010), 한국의상디자인학회
- 유현정, "2000년 이후 패션의 주요 트렌드와 트렌드 이미지", 한국의상디자인학회지, 12(3), pp.73~82 (2010), 한국의상디자인학회
- 이정호, "포스트모던 문화읽기" (1998), 서울대출판부
- 정현숙, "20세기 반 패션에 표현된 포스트모더니즘 연구", 한국의류학회지, 21(3), pp.502~515 (1997)
- 이송근, "전통문화와 미래사회" (1998), 대구대출판부
- 최수아, "패션에 나타난 퓨전 현상에 관한 연구", 석사, pp.2003
- 최호정, "현대 패션에 나타난 글로벌・구조적 하이브리드", 박사, pp.2007
- 한국영문학회, "영한대사전" (2001), 민중서관
