본문 바로가기
KERD
논문KCI 등재

현대 패션 디자인에 나타난 퓨전에 관한 연구 - 개념과 현상을 중심으로 -

A Study on Fusion in Modern Fashion - Based on Concepts and Phenomena -

0

조회

0

다운로드

1

인용

0

참고문헌

키워드

초록

Fusion through blending and mixing of elements has emerged in various areas of social settings, cultures, arts, and daily living creating diversities. This study aims to discover the value of fusion, and to increase its effective value in the fashion information network by examining the phenomena of fusion in fashion design. The purpose of the study is to reveal the concepts of the term ‘fusion’ and its background, its emerging phenomena in various areas of design, and its phenomena that appeared during the period of 1910 to present in fashion design. Domestic and foreign journals and articles, dissertations, pictures from museums and art galleries, and the internet information were the materials that were used. The term ‘fusion’ means mixing or harmonizing. This concept appeared under the influence of Post-Modernism. The phenomena of fusion in other areas of design emerged in a similar manner whereas, in fashion design, it was already establishing a trend. At the beginning of 20th century, fusion in fashion design appeared in simplistic forms. However, toward the end of the century, it became robust and complex; especially after 1980, when the fusion of fashion design, with dynamic forces in diversities appeared in blending styles of the East and the West, had different images that were influenced by multi-culturalism, dismantlement of the dichotomy of sexes, union of upper-class and lower class, restoration of the past time styles in Retro Look, and sports culture in lifestyles seeking well-being. To derive elements in these specific individuals’ individual specific's requests in a fast paced and global environment, further research is recommended to elicit the characteristics of fusion phenomena in fashion design in light of social and cultural settings.

Abstract

Fusion through blending and mixing of elements has emerged in various areas of social settings, cultures, arts, and daily living creating diversities. This study aims to discover the value of fusion, and to increase its effective value in the fashion information network by examining the phenomena of fusion in fashion design. The purpose of the study is to reveal the concepts of the term ‘fusion’ and its background, its emerging phenomena in various areas of design, and its phenomena that appeared during the period of 1910 to present in fashion design. Domestic and foreign journals and articles, dissertations, pictures from museums and art galleries, and the internet information were the materials that were used. The term ‘fusion’ means mixing or harmonizing. This concept appeared under the influence of Post-Modernism. The phenomena of fusion in other areas of design emerged in a similar manner whereas, in fashion design, it was already establishing a trend. At the beginning of 20th century, fusion in fashion design appeared in simplistic forms. However, toward the end of the century, it became robust and complex; especially after 1980, when the fusion of fashion design, with dynamic forces in diversities appeared in blending styles of the East and the West, had different images that were influenced by multi-culturalism, dismantlement of the dichotomy of sexes, union of upper-class and lower class, restoration of the past time styles in Retro Look, and sports culture in lifestyles seeking well-being. To derive elements in these specific individuals’ individual specific's requests in a fast paced and global environment, further research is recommended to elicit the characteristics of fusion phenomena in fashion design in light of social and cultural settings.

참고문헌 (45)

  1. 문종대, "현대사회와 매스커뮤니케이션", pp.446~ (2004), 한울아카데미
  2. 신재룡, "현대 패션에 반영된 퓨전(Fusion) 이미지에 관한 연구", 석사, pp.2001
  3. "fusion"[URL]
  4. Murray, J. A. H, "The Oxford English Dictionary Being a Corrected Re-Issue with an Introduction, Supplement, and Bibliography of A New English Dictionary on Historical Principle", pp.623~ (1933), Clarendon Press
  5. 류호창, "신문화코드 퓨전", pp.124~ (2000), 서울 월간디자인
  6. 성기완, "재즈를 찾아서" (1996), 문학과 지성사
  7. 윤수정, "패션 트렌드의 다중화․복합화 현상에 대한 질적 분석: 1995 S", S~01, W를 중심으로, pp.석사, 연세대학교 대학원
  8. Jencks, Charles, "포스트모더니즘", pp.11~ (1994), 열화당
  9. Hans Bertens, "The Postmodern Weltanschauung and its Relation with Modernism an International Anthology", pp.229~254 (1991), Hanshin Publishing Company
  10. 정정호, "포스트모더니즘의 쟁점", pp.64~81 (1994), 문화과학사
  11. 김성곤, "포스트모더니즘시대의 미국문학", pp.87~88 (1989), 서울대학교 출판부
  12. 정정호, "포스트모더니즘론", pp.248~149 (1984), 종로서적
  13. 강태완, "디지털 영상 예술코드 읽기 1", pp.21~ (2003), 대안영상 문화 발전소 아이공
  14. 유수연, "디지털시대의 퓨전 문화와 퓨전디자인에 관한 연구", 한국실내디자인학회 논문집, 26, pp.63~ (2000)
  15. 윤수정, "패션트렌드의 다중화,복합화 현상에 대한 질적 분석: 1995 SS~01", 02 AW를 중심으로, 연세대학교 대학원, 2002
  16. Edith Decker, "백남준: 비디오 예술의 미학과 기술을 찾아서", pp.51~80 (2001), 궁리
  17. 오병남, "미학강의", pp.159~162 (2003), 서울대출판부
  18. Nikos Stangos, "현대미술의 개념", pp.336~ (1994), 문예출판사
  19. 허정아, "베르나르 츄미의 해체주의 건축미학: 라 빌레트 공원에서의 건축과 철학의 만남", 美學(미학), 38(38), pp.263~289 (2004), 한국미학회
  20. 정삼호, "현대패션모드", pp.141~ (2000), 교문사
  21. 임영자, "현대 패션에 표현된 하이브리드 경향 연구:1990년대 후반을 중심으로", 복식, 51(5), pp.114~ (2001)
  22. 송세영, "크로스오버 경향에 따른 자동차 디자인 변화에 대한 연구", 석사, pp.2001
  23. 이은영, "복식의장학", pp.402~ (1998), 교문사
  24. 신상옥, "서양복식사", pp.315~ (1991), 수학사
  25. 정흥숙, "서양복식문화사", pp.361~ (1998), 교문사
  26. 채금석, "현대복식미학", pp.273~ (1995), 경춘사
  27. Bazaar, "Bazaar", ~ (2003)
  28. David Bond, "20세기 패션", pp.16~ (1992), 경춘사
  29. Gerda Buxbaum, "Icons of Fashion", pp.35~ (1999), Prestel
  30. 김수경, "이국취향의 요인과 현대패션에 나타난 이국취향", 복식문화연구, 11(3), pp.387~403 (2003), 복식문화학회
  31. 금기숙, "현대 패션 100년", pp.119~ (2003), 교문사
  32. Edith Head, "Edith Head's Hollywood", pp.101~102 (1983), E. P. Dutton Inc
  33. Franşois Boucher, "20,000 Years of Fashion-expanded edition", pp.433~ (1987), Harry N. Abrams, Inc., Pub
  34. J.Grove, "Fashion", pp.26~46 (1973), McMillan Publishing Company
  35. 강정화, "현대 패션에 표현된 페미니즘에 관한 연구", 복식, 30, pp.216~217 (1996)
  36. Time, , Time, 55~ (1976), 1976, August 9
  37. James Laver, "Costume & Fashion", pp.272~ (1985), Thames and Hudson
  38. 박은주, "1990년대 패션에 나타난 오리엔탈리즘에 관한 연구", 석사, pp.1998
  39. 이호정, "패션 마케팅 & 패션 트랜드 분석", pp.148~ (1996), 교학연구사
  40. Carol S. Mueler, "Marketing Today's Fashion. New Jersey: Prentice Hall Educatiuon", pp.15~ (1995), Career & Technology
  41. Mirian Moss, "Fashion Designer", pp.28~ (1991), Crestwood House
  42. Mary L. Damhorst, "The Meannings of Dress", pp.512~ (1999), Fairchied Pub
  43. 유순경, "1990년대 패션에 나타난 복고현상에 관한 연구. 1970년대 스타일을 중심으로", 석사, pp.1997
  44. Roberta Wolf, "Millennium Mode", pp.93~ (1999), Rizzoli

관련 논문AI추천

이 간행물의 다른 논문 (11건)