퍼스의 3가지 유형에 의한 건축적 이미지를 지닌 동시대 조각의 표현방식 연구

Abstract

The contemporary sculpture by borrowing images reveals semiotic characteristics by using icons, indicators, and symbols extensively in the text it produces. As a result, the work appeared in a hybrid way of expression, making multiple interpretations come true. However, a new method is required to interpret the sculptures expressed in various signs. In particular, the contemporary sculpture works that borrowed architectural images mostly reflect the uncertain and fluid contemporary period, and therefore this study was aimed to analyze how the works act as signs and generate meanings by applying the 3 types of Perth at that time. As a research method, In order to study Perth's semiotics, this research drew the thesis on Perth's semiotics by understanding the general concept of semiotics and comparatively analyzing Saussure's semiotics. Also, we looked at how semiotics including Perth's semiotics were applied to the modern art. In Chapter 3, in order to consider the expression methods of contemporary sculptures that borrowed architectural images, we classified and analyzed them according to the ‘3 types’ of Perth. Through this, this paper concluded as follows. First, semiotics was initially discussed in earnest by structuralist philosophers, starting with Saussure's linguistics after the 19th century, and afterwards, as the postmodern art appeared, ‘borrowing’ and ‘intertextuality’ were mixed, creating an opportunity to further expand the meaning of the work. Second, Peirce's semiotics, which is easy to explain about non-arbitrary relationships and distinguishes various types of signs in the visual field, provided a basis for classifying the expression methods of contemporary sculptural works. Third, it was easy to decipher the individual codes for each work by classifying the expression method of the sample artist's architectural image sculptures into the 3 types of Perth. It was confirmed that each type represents the uncertain and fluid contemporary times metaphorically according to the method of expressing the materiality and structure of the works revealed in the sculptures of the representative artist for each type.