온라인 콘텐츠를 이용한 전시의 지각방식

Abstract

The purpose of this research is to examine the change aspects of experience in art that change through the pandemic era, and to study how the form of virtual or indirect appreciation transforms the process of experience. The research method takes the use of online content and the expansion of virtual exhibitions due to the coronavirus pandemic as examples, observes the changes in the exhibition form during the pandemic, and considers transition through virtual space and changes in perception. This paper compares the boundaries of the virtual space in the medium, an invisible and indeterminate domain, to the concept of Inframence through the image of us living in an era that crosses between virtual and reality through the touch screen of a smartphone. Technological advances lead to changes in the way of exploring space and require a new way of perception in virtual space. This new type of exhibition space suggests that the viewer should be able to overcome the difference between the present space and the virtual space. This type of viewing excludes public spatiality from cultural enjoyment of an individual and makes it possible to completely occupy personal space, and at the center of this is the hyperlinked structure of online content. The connection method using hyperlinks goes beyond the concept of space-time in reality, suggests a different standard, and brings about an overturn of space-time and a change in the sense of use and perception of the viewer for viewing the exhibition. The onlineization of all fields that has occurred in the current situation and the online exhibition form shown in the fields of culture and art caused timelessness and displacement from the object of enjoyment. Therefore, research on exhibition methods using online content will help establish standards for new aesthetics and help understand the future direction of exhibitions using platforms.