≪篆訣歌≫의 隸變 分析에 대한 고찰－字形의 合倂을 중심으로(1)－

Abstract

The ≪Zhuanjuege(篆訣歌)≫, quatrain with seven Chinese characters in each line, has the Gugyeols, a system for rendering texts written in the Zhuanshu(篆書) writing system into another understandable form of the Lishu(隸書) writing system and is the textbook for the learning of the Zhuanshu(篆書) writing system. The book was written in Kaishu(楷書) writing system by Ying Zai(應在) in Won Dynasty and the Zhuanshu (篆書) writing system was added and edited by Zhu, Zhi-fan(朱之蕃) in Ming Dynasty. Due to the addition of Zhuanshu(篆書) writing system by Zhu, Zhi-fan(朱之蕃), the book has undergone some radical changes in the seven texts such as ≪Zhuanfabianjue(篆法辨訣)≫ written in Kaishu(楷書) writing system by Ying, Zai(應在), Zhong Guoshibanben(中國石版本), Lindemingben(林得明本), Weichangduben(韙倡讀本), Weichang- chaoben(韙倡鈔本) written in Kaishu(楷書) writing system and Zhuanshu (篆書) writing system by Zhu, Zhi-fan(朱之蕃), ≪Zhuanfatanyuan(篆法探源)≫ written in Zhuanshu(篆書) writing system by Yang, Jia-xiang(仰嘉祥), and ≪Zhuanjuege(篆訣歌)≫ written in Zhuanshu(篆書) writing system by Han, Tian-heng(韓天衡). This article aims at analysing the relationship between Zhuanshu(篆書) and Kaishu(楷書) of ≪Zhuanjuege(篆訣歌)≫.