貶謫時期 黃庭堅의 詞 창작 특징
The characteristics of Huang Tingjian's Ci creation at his Relegation period
2
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
Huang Tingjian passed the Wutai Poetry Case, after about ten years of banishment, the writing of poetry and literature has changed a lot. At that time, Su Shi and Su Men were worried that their own poems would become a problem again, did not want to write poetry, and Huang Tingjian also strictly restrained himself from creating poetry. From The first year of Shao Sheng to four years of Shao Sheng, until his death, we can see that Ci Writing were more active than poetry. This article is based on Huang tingjian's relegation Ci, research the creative characteristic of relegation Ci. First of all, if you look at the sanctions and the nature of the content, After he was banished, he used a variety of topics from Bashu. Using the famous specialties of Bashu, tea, lychee, folk culture, and other distinctive features of the area as sanctions, Not only did the work expand the scope of its contents, it also produced works of historical value that made people see the life of the time. Huang Tingjian also writes the relegation Ci in the way of Chang He(唱和) Ji Ju(集句) and Yin Kuo(檃括). These forms of writing Ci all begin with poetry, slowly use this way to writing Ci. Su Shi and his disciples were at the center of the beginning and development of this creative mode. He was also accept the creative attitude of “Taking poetry as Ci(以詩爲詞)” of Su Shi. Huang Tingjian recognized original value of Ci and was faithful to original creative function and style of Ci. As a result, after he was eventually demoted, he wrote Yan Ci by graceful and restrained genre, it's about a variety of topics. Huang Tingjian’s relegation Ci coexists with the creative characteristics of Shi Hua(詩化) and Ci Hua(詞化). These features allowed him to look at a side called “Bie Shi Yi Jia(別是一家)”, it could confirm his important position once again at the changing and developing period of the Northern Song Dynasty.
Abstract
Huang Tingjian passed the Wutai Poetry Case, after about ten years of banishment, the writing of poetry and literature has changed a lot. At that time, Su Shi and Su Men were worried that their own poems would become a problem again, did not want to write poetry, and Huang Tingjian also strictly restrained himself from creating poetry. From The first year of Shao Sheng to four years of Shao Sheng, until his death, we can see that Ci Writing were more active than poetry. This article is based on Huang tingjian's relegation Ci, research the creative characteristic of relegation Ci. First of all, if you look at the sanctions and the nature of the content, After he was banished, he used a variety of topics from Bashu. Using the famous specialties of Bashu, tea, lychee, folk culture, and other distinctive features of the area as sanctions, Not only did the work expand the scope of its contents, it also produced works of historical value that made people see the life of the time. Huang Tingjian also writes the relegation Ci in the way of Chang He(唱和) Ji Ju(集句) and Yin Kuo(檃括). These forms of writing Ci all begin with poetry, slowly use this way to writing Ci. Su Shi and his disciples were at the center of the beginning and development of this creative mode. He was also accept the creative attitude of “Taking poetry as Ci(以詩爲詞)” of Su Shi. Huang Tingjian recognized original value of Ci and was faithful to original creative function and style of Ci. As a result, after he was eventually demoted, he wrote Yan Ci by graceful and restrained genre, it's about a variety of topics. Huang Tingjian’s relegation Ci coexists with the creative characteristics of Shi Hua(詩化) and Ci Hua(詞化). These features allowed him to look at a side called “Bie Shi Yi Jia(別是一家)”, it could confirm his important position once again at the changing and developing period of the Northern Song Dynasty.
참고문헌 (18)
- 程越, "從宋詞看宋代的民俗文化", 群文天地, (5) (2012)
- 林倩帆, "北宋“正人艶詞”硏究", 博士, pp.2012
- 劉琳, "黃庭堅全集" (2001), 四川大學出版社
- 馬興榮, "山谷詞" (2001), 上海古籍出版社
- 莫礪鋒, "論黃庭堅詩歌創作的三個階段", 文學遺産, (三) (1995)
- 彭國忠, "元祐詞壇硏究" (2002), 華東師範大學出版社
- 臺灣商務印書館, "文淵閣四庫全書" (1983), 臺灣商務印書館
- 唐圭璋, "詞話叢編" (2005), 中華書局
- 王象之, "輿地紀勝" (1992), 中華書局
- 肖艶華, "黃庭堅貶謫巴蜀時期詩詞硏究", 碩士, pp.2012
- 楊海明, "黃庭堅詞淺析", 江西社會科學, (四) (1982)
- 葉羽, "茶書集成" (2001), 黑龍江人民出版社
- 于廣杰, "蘇軾文人集團硏究", 碩士, pp.2013
- 張承鳳, "黃庭堅筆下的黔州茶道", 中華文化論壇, (10) (2016)
- 趙文煥, "黃庭堅貶謫文學硏究", 博士, pp.2016
- 鄭永曉, "黃庭堅年譜新編" (1997), 社會科學文獻出版社
- 鄭永曉, "黃庭堅全集輯校編年" (2008), 江西人文出版社
- 中華書局編輯部, "全唐詩" (1980), 中華書局
