Capitalism with Chinese Characteristics: The Mode of Production in Chinese Cinema Prior to 1937
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This article examines the modes of production in Chinese cinema prior to 1937 in comparison with its Hollywood counterpart. Drawing on unpublished producers' diaries and other primary materials, and using the film producing system of Lianhua (a.k.a. the United Photo Play Service) as a case study, this article suggests that the Chinese film industry followed a path of development similar to that of Hollywood in terms of its mode of production while maintaining its own distinct characteristics. One significant trait, the strong position of the director in the central producer system, contributed to the vulnerability and the lack of enduring success of the Chinese film industry in the 1930s.
Abstract
This article examines the modes of production in Chinese cinema prior to 1937 in comparison with its Hollywood counterpart. Drawing on unpublished producers' diaries and other primary materials, and using the film producing system of Lianhua (a.k.a. the United Photo Play Service) as a case study, this article suggests that the Chinese film industry followed a path of development similar to that of Hollywood in terms of its mode of production while maintaining its own distinct characteristics. One significant trait, the strong position of the director in the central producer system, contributed to the vulnerability and the lack of enduring success of the Chinese film industry in the 1930s.
참고문헌 (31)
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