Aftermath of the Film-Market Opening: Competitiveness Building in China and Korea
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There were concerns that globalization would weaken the competitiveness of local arts, especially film production. Two countries were selected because both are known for Asian film production and had their markets opened by external pressure. We used policy documents, newspapers, magazines, and industry reports. The analysis focuses on changes in industrial structure and challenges for local industrial competitiveness. We argue that both countries experienced growing commercialization and content diversity rather than industrial atrophy― nevertheless, resource allocation to produce local films polarized. The Korean film sector became globally competitive under protective measures, while in China, the popularity of large-budget films decreased, a signal of qualitative development.
Abstract
There were concerns that globalization would weaken the competitiveness of local arts, especially film production. Two countries were selected because both are known for Asian film production and had their markets opened by external pressure. We used policy documents, newspapers, magazines, and industry reports. The analysis focuses on changes in industrial structure and challenges for local industrial competitiveness. We argue that both countries experienced growing commercialization and content diversity rather than industrial atrophy― nevertheless, resource allocation to produce local films polarized. The Korean film sector became globally competitive under protective measures, while in China, the popularity of large-budget films decreased, a signal of qualitative development.
참고문헌 (35)
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