임은(林隱) 정복심(程復心)의 『사서장도은괄총요(四書章圖檃栝總要)』에 대한 도상학적(圖像學的) 접근

Abstract

Si-shu zhang-tu(四書章圖) is the work of Confucian scholar Cheng Fu-xin of the Yuan Dynasty, and it is a pictorial explanation of the Confucian scriptures based on Neo-Confucianism. Therefore, important pictures in Neo-Confucianism appear in the content. This book leads the reader to understand Si-shu(四書)'s Neo- Confucianism. Looking at the contents of Si-shu zhang-tu yin-kuo cong-yao(四書章圖檃栝總要), the main content of the first volume is in Neo-Confucianism, which seems to be the basic work to interpret Si-shu from the point of view of Neo-Confucianism. The contents of Si-shu(四書) appear in earnest in the second volume. Cheng Fu-xin is also interpreting the main contents of Si-shu from the point of view of Neo- Confucianism through pictures. In the third volume, there is a picture of the culture and system found in the Confucian scriptures. This will give a clearer understanding of the content of the scriptures. The paintings in Si-shu zhang-tu yin-kuo cong-yao influenced Neo-Confucianism in East Asia. The contents of Si-shu zhang-tu yin-kuo cong-yao and Toegye's Simtongsungjungdo(心統性情圖) are similar in some parts, and the contents are very similar. And the picture in Hak-gyi Yu-pyun(學記類編) of Nammyung has almost the same basic composition, and there are some that match completely. Si-shu zhang-tu spread not only to China and Korea, but also to Japan. The version of Si-shu zhang-tu is related to the Shoheizaka Academy, where the Japanese Neo-Confucian scholar Hayashi Razan was. As such, Si-shu zhang-tu spread throughout East Asia such as China, Korea, and Japan, and had an influence. In particular, in Joseon Neo-Confucianism, Si-shu zhang-tu seem to have a lot of iconographic significance.