韩国道学诗研究的学术脉络与重点论域
The Academic Context and Key Discourses of Korean Dohak Poetry Research
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道学诗为道学东传后, 高丽和朝鲜朝两朝道学家基于道学思想而创作的汉诗｡ 虽然道学家的文学创作在一定程度上受到“重道轻文”的道学传统影响, 因而未能得到充分重视, 但自二十世纪八十年代起, 道学诗研究逐步兴起, 为考察文学实践与道学观念的互动关系提供了崭新视域｡ 目前, 韩国学界的道学诗研究以概念界定、思想内容、艺术特色、与中国理学诗的关系研究为学术脉络与重点论域｡ 在概念界定研究方面, 主要围绕“道学诗”“濂洛风诗”“说理诗”等表述进行了探讨｡ 在思想内容研究方面, 重点论域涵盖道学诗所承载的道学思想、道学思想与主体实践的密切关联、道学思想与客体环境的交融互动｡ 在艺术特色研究方面, 相关研究既关注道学诗中的意象、诗语、典故及赋、比、兴表现手法等微观特征, 亦关注道学诗的整体风格、审美指向等宏观特征｡ 在道学诗与中国理学诗的关系研究方面, 相关研究以道学诗与邵雍诗、朱熹诗及≪濂洛风雅≫的关联性为重点论域, 就此进行了研究探讨｡ 中国学界对韩国道学诗的关注则相对有限, 大多数研究仅在探究中国理学诗之域外影响的过程中论及韩国道学诗, 但与韩国学界的研究成果存在一定的互补性, 今后可考虑以此为基础, 在共时性、历时性视角下展开更具整体性的研究尝试｡
Abstract
Dohak poetry refers to the classical Chinese poetry created by the Neo-Confucian scholars of the Goryeo and Joseon dynasties based on Neo-Confucian thought after its introduction to Korea. Although the literary creations of these Neo-Confucian scholars received insufficient attention due to the Neo-Confucian tradition of emphasizing Do and neglecting literature, Dohak poetry research has gradually emerged since the 1980s, providing a new perspective for exploring the interactive relationship between literary practice and Neo-Confucian concepts. The current focus of Daoist poetry research in Korean academia comprises conceptual definitions, ideological content, artistic features, and the relationship with Chinese Neo-Confucian poetry. Discussions in conceptual definition research mainly revolve around terms such as Dohak poetry, Lianluo-style poetry, and Seolli poetry. In ideological content research, the key discourses include the Neo-Confucian thought Dohak poetry conveys, the connection between Neo-Confucian thought and subjective practice, and interaction between Neo-Confucian thought and objective environments. Artistic feature studies focus on micro-level characteristics such as imagery, poetic language, allusions, and expressive techniques including Fu, Bi, and Xing, as well as macro-level aspects including the overall style and aesthetic orientation of Dohak poetry. Research on the relationship between Korean Dohak and Chinese Neo-Confucian poetry concentrates on the connection between Dohak poetry and the poems of Shao Yong, Zhu Xi, and the Lianluofengya. Chinese academia has paid little attention to Korean Dohak poetry. Most previous research addresses Korean Dohak poetry only briefly as a component of analyzing the overseas influence of Chinese Neo-Confucian poetry. Nevertheless, these studies have a complementary relationship with related Korean academic research achievements. Future research could build upon Chinese and Korean scholarly findings to adopt a more comprehensive approach that incorporates both synchronic and diachronic perspectives.