인성의 번역, 봉사의 번역 - 량스추(梁實秋) 번역 의미에 관한 고찰

Abstract

In this paper, I will discuss on what translation values Liangshiqiu practiced and what translation methodology planned the development of his country's literature. This study confirms that he has found the capacity of personality literature from translation, has developed many things in translation methods, and laid the foundation for the development of Chinese theaters. First, Liangshiqiu emphasized that the value of literature lies in expressing an immutable personality and that emotions and imagination should be restrained by reason in order to create a healthy personality literature. However, when he was alienated and criticized by mainstream discourse, translation was a way to convey the value of personality and to represent his literary ideals. He translated various aspects of personality and emotions through translations of Western classics, and went on to explore personality in depth through translator preface and work commentary. Shakespeare's literature, among other things, was the best model to represent his literary ideals, and thus sought the resonance of character literature and ideas, giving Shakespeare's literature the value of classics and thus the greatest contribution to translation. Next, Liangshiqiu emphasized that translation should be based on the "transfer" function itself and viewed it as "service" to help readers understand. He tried to improve the reliability and readability of the translation by fully digesting the phrases in the original text and then utilizing the faithfulness of the direct translation and smoothness of the translation. At the same time, he tried to convey the thoughtfulness and artistry contained in the work with strict analysis of the original work and translation principles that preserve the structure of the original work. As he proceeded with the translation, he allowed readers to understand the original text and achieve the effects of art experience through explanatory notes. And each work has increased the credibility and academicity of translation through preface writing. He also tried to preserve the original structure as much as possible, and did not correct or omit the original text. The reason he tried to protect the structure and format of the original work was to bring in Western theaters methods and make them the basis for the development of Chinese theaters. In this regard, his lifelong work, "Shakespeare's Complete Collection" will be said to be meaningful as a foundation project for mastering Western theaters and as a service to the development of Chinese theaters.