심산 김창숙의 「謹次三峰書堂十二詠」 연구 - 한주 이진상의 사상에 입각한 이해
A Study on Simsan Kim Chang-suk's Geunchasambongseodangsipiyeong(謹次三峰書堂十二詠) - Understanding Based on Hanju Lee Jin-sang's Thought -
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study investigated into which Hanju Lee Jin-sang's thought of Seong Ri`s scholar(性理學)(ri(理), gi(氣)) is embedded in the base of his poem by trying to analyze 「Geunchasambongseodangsipiyeong(謹次三峰書堂十二詠)」 that Simsan Kim Chang-suk composed with looking at Sambongseodang(三峯書堂). Compared to what most poems composed by Kim Chang-suk expressed even a detailed part of struggle history with specific literary style, 「Geunchasambongseodangsipiyeong」 is a work that is well melted a literary element. As Simsan Kim Chang-suk's 「Geunchasambongseodangsipiyeong」 is a poem that Simsan borrowed rhythm of 「Geunchasambongseodangsipiyeong」 composed by Husan Heo Yu and Myeonu Gwak Jong-seok, it is a poem that sang ‘Simwondang,’ ‘Seongjondang,’ ‘Gyeonggeojae,’ ‘Gaeyangmun,’ ‘Budoseok,’ ‘Sangbongdae,’ ‘Isu,’ ‘Samsan,’ ‘Yulseo,’ ‘Yuje,’ and ‘Gocheondo’ around Sambongseodang including 'Sambongseodang(三峯書堂).'As Simsan is Hanju Lee Jin-sang's Jaejeon(再傳) pupil, he asserted Juriron(主理論: theory of reason) beyond the theory of Yeongnam school and Giho school in the base of 「Geunchasambongseodangsipi yeong(謹次三峰書堂十二詠), thereby being embedded Hanju Lee Jin- sang's thought, which destroyed the confrontation of the existing two prominent mountain ranges. In the 19th century, Hanju Lee Jin-sang grasped that a confusion may be caused in light of terminology of Seong Ri`s scholar(性理學), and then reconstructed it with a method of recognizing Sugan(竪看)ㆍHoenggan(橫看)ㆍDogan(倒看) and with a reasoning method called Sunchu(順推)ㆍYeokchu(逆推). As a result of examining it with a method of recognizing Sugan (竪看)ㆍHoenggan(橫看)ㆍDogan(倒看) and with a reasoning method called Sunchu(順推)ㆍYeokchu(逆推), which become the basis of Hanju Lee Jin-sang's Seong Ri`s scholar(性理學), all of 12 pieces are taking a method of recognizing Dogan(倒看) and are taking a method of Yeokchu(逆推), which proceeds with seeking its foundation with starting from seeing object first even in a reasoning method. Accordingly, 「Geunchasambongseodangsipiyeong(謹次三峰書堂十二詠)」 could be studied to be based ideologically on Hanju Lee Jin-sang's Seong Ri`s scholar(性理學) and to have been influenced by Hanju Lee Jin-sang's poem even in the aspect of paying attention to a motive of poem.
Abstract
This study investigated into which Hanju Lee Jin-sang's thought of Seong Ri`s scholar(性理學)(ri(理), gi(氣)) is embedded in the base of his poem by trying to analyze 「Geunchasambongseodangsipiyeong(謹次三峰書堂十二詠)」 that Simsan Kim Chang-suk composed with looking at Sambongseodang(三峯書堂). Compared to what most poems composed by Kim Chang-suk expressed even a detailed part of struggle history with specific literary style, 「Geunchasambongseodangsipiyeong」 is a work that is well melted a literary element. As Simsan Kim Chang-suk's 「Geunchasambongseodangsipiyeong」 is a poem that Simsan borrowed rhythm of 「Geunchasambongseodangsipiyeong」 composed by Husan Heo Yu and Myeonu Gwak Jong-seok, it is a poem that sang ‘Simwondang,’ ‘Seongjondang,’ ‘Gyeonggeojae,’ ‘Gaeyangmun,’ ‘Budoseok,’ ‘Sangbongdae,’ ‘Isu,’ ‘Samsan,’ ‘Yulseo,’ ‘Yuje,’ and ‘Gocheondo’ around Sambongseodang including 'Sambongseodang(三峯書堂).'As Simsan is Hanju Lee Jin-sang's Jaejeon(再傳) pupil, he asserted Juriron(主理論: theory of reason) beyond the theory of Yeongnam school and Giho school in the base of 「Geunchasambongseodangsipi yeong(謹次三峰書堂十二詠), thereby being embedded Hanju Lee Jin- sang's thought, which destroyed the confrontation of the existing two prominent mountain ranges. In the 19th century, Hanju Lee Jin-sang grasped that a confusion may be caused in light of terminology of Seong Ri`s scholar(性理學), and then reconstructed it with a method of recognizing Sugan(竪看)ㆍHoenggan(橫看)ㆍDogan(倒看) and with a reasoning method called Sunchu(順推)ㆍYeokchu(逆推). As a result of examining it with a method of recognizing Sugan (竪看)ㆍHoenggan(橫看)ㆍDogan(倒看) and with a reasoning method called Sunchu(順推)ㆍYeokchu(逆推), which become the basis of Hanju Lee Jin-sang's Seong Ri`s scholar(性理學), all of 12 pieces are taking a method of recognizing Dogan(倒看) and are taking a method of Yeokchu(逆推), which proceeds with seeking its foundation with starting from seeing object first even in a reasoning method. Accordingly, 「Geunchasambongseodangsipiyeong(謹次三峰書堂十二詠)」 could be studied to be based ideologically on Hanju Lee Jin-sang's Seong Ri`s scholar(性理學) and to have been influenced by Hanju Lee Jin-sang's poem even in the aspect of paying attention to a motive of poem.
참고문헌 (21)
- 강구율, "심산 김창숙의 생애와 시세계", 동방한문학, 13, pp.61~82 (1997), 동방한문학회
- 권영호, "心山 金昌淑 시에 나타난 自歎과 그 의미", 대동문학회지, 21, pp.277~307 (2004), 대동한문학회
- 김시업, "근대전환기 한문학의 세계인식과 ‘민족적 자아’", 대동문화 연구, 38, pp.161~180 (2001), 성균관대 대동문화연구원
- 여증동, "심산연구", 배달말, 4, pp.59~85 (1979), 배달말학회
- 염인호, "金昌淑의 在中國 獨立運動에 관한 一考察", 대동문화연구, 43, pp.223~252 (2003), 대동문화연구원
- 이형성, "李震相의 三看法에 의한 先儒學問 評에 대한 攷察 李滉李珥金昌協李象靖의 性理思想을 중심으로", 한국사상과 문화, (39), pp.225~252 (2007), 한국사상문화학회
- 최부희, "제2차 유림단 의거와 영남", 경대사론, 12, pp.383~433 (2000), 경남대 사학회
- 홍원식, "이진상의 철학사상과 그 후예들", 동양학, 29, pp.243~262 (1999), 단국대 동양학연구소
- 권기훈, "심산 김창숙 연구" (2007), 도서출판 선인
- 금장태, "한국의 선비와 선비정신" (2000), 서울대학교출판부
- 김상웅, "심산 김창숙 평전" (2006), 시대의창
- 김창숙, "심산유고" (1973), 탐구당
- 김창숙, "김창숙 문존" (1997), 성균관대학교 출판부
- 경북대학교 퇴계연구소, "한주 이진상 연구" (2006), 도서출판 역락
- 성균관대학교 대동문화연구원, "국역 심 산유고(상ㆍ하)" (1979), 성균관대 출판부
- 심산사상 연구회, "김창숙의 사상과 행동" (1986), 성균관대 대동 문화연구원
- 이상하, "한주 이진상의 주리론 연구" (2007), 경인문화사
- 이영동, "한민족정신사" (1998), 명성출판사
- 이형성, "한주 이진상의 철학사상" (2006), 심산출판사
- 정범진, "백 번 꺾어도 꺾이지 않은 민족의 자존" (1995), 성균관대학교출판부
- 정종목, "나라 사랑의 외길을 산 선비 김창숙" (1994), 사계절
