이용악 시의 사회 공간적 접근

Abstract

In our history of modern poetry, it is difficult to find a writer who embodied the tragic experiences and emotions of the wandering people as successfully as Lee Yong Ak. Studies on Lee Yong Ak focus on work analysis according to the writer’s background with his experiences of separation from social and cultural contexts and distinctions between realism and modernism from a literary perspective. However, composed ‘space’ is probably what affects literature more essentially. Discursive attempts to newly understand space show that literature can also be newly composed. In modern discourse, space comes into contact with capital, power, composition, differences, and sex. The concept of space, overturned by G. Simmel, M. Löw, A. Giddens, H. Lefèvre, and J. K. Gibson­Graham, allows us to look back at the Lee Yong Ak’s poetry, which is tightly joined with space. In particular, concepts outside discourse such as the composition of space and boundaries of change, strangers, differences, and Chora will aid in breaking up the internal discourses of Lee Yong Ak’s poetry. Above all, when determinacy is broken down and we open ourselves to spaces of uncertainty, we must accept that the production of discourse and practical reasoning are possible.