본문 바로가기
KERD
논문KCI 등재

나옹시 하위 유형의 작품 세계와 선적 표현

A Study on the Contents and Seon Expression of Naong’s Poetry Style

0

조회

0

다운로드

3

인용

0

참고문헌

키워드

주제분류한국어와문학

초록

This paper is written in order to research for the contents and Seon expression of Naong's poetry style. There were found three kinds of styles in Naong's poetry, Those are the daily life poetry style, the thing and phenomena poetry style, the instructing poetry style. Firstly, the contents of the daily life poetry style are persona himself's enjoying nature, answering other's poem, cutting other's hair, thanking others, visiting saint places, praising Buddhist person. He used several kinds of rhetorics, for example, when he express the fact that the aspects of enjoying nature, praising Buddhist person are expressing truth, he took the rhetoric of paradox, when he insists that phenomena themselves are truth, he took the rhetoric of symbolic, when he tells that all-beings are originally Buddha, he took the rhetoric of metaphor as Seon expression skill. Secondly, there are several kinds of aspects, for example, things themselves, things with phenomena, phenomena and ideology in the thing and phenomena poetry style. He expressed the way of existence of the principle and phenomena by using Seon expression skill just like the rhetoric of paradox, the rhetoric of symbolic, the rhetoric of metaphor. Thirdly, there are two kind of poetry in the instructing poetry style: those are the poetry of showing others(示人詩), the poetry of requesting Naong Gatha(求偈詩, 求頌詩). He had taught lay people and monks the thinking of all-beings-original Buddha and the main point to be careful in the process of Seon practicing by writing the instructing poetry style, He accepted the rhetoric of paradox, the rhetoric of symbolic, the rhetoric of metaphor as a Seon expression skill in the instructing poetry style. Even though I tried to study the contents and Seon expression of Naong's poetry style in this research paper, there must be remained the other subjects to study. I might continue researching the structure of Seon master Naong's Seon poetry next time in the near future, for example, what kinds of contexts were used in his Seon poetry on the level of sentences or works.

Abstract

This paper is written in order to research for the contents and Seon expression of Naong's poetry style. There were found three kinds of styles in Naong's poetry, Those are the daily life poetry style, the thing and phenomena poetry style, the instructing poetry style. Firstly, the contents of the daily life poetry style are persona himself's enjoying nature, answering other's poem, cutting other's hair, thanking others, visiting saint places, praising Buddhist person. He used several kinds of rhetorics, for example, when he express the fact that the aspects of enjoying nature, praising Buddhist person are expressing truth, he took the rhetoric of paradox, when he insists that phenomena themselves are truth, he took the rhetoric of symbolic, when he tells that all-beings are originally Buddha, he took the rhetoric of metaphor as Seon expression skill. Secondly, there are several kinds of aspects, for example, things themselves, things with phenomena, phenomena and ideology in the thing and phenomena poetry style. He expressed the way of existence of the principle and phenomena by using Seon expression skill just like the rhetoric of paradox, the rhetoric of symbolic, the rhetoric of metaphor. Thirdly, there are two kind of poetry in the instructing poetry style: those are the poetry of showing others(示人詩), the poetry of requesting Naong Gatha(求偈詩, 求頌詩). He had taught lay people and monks the thinking of all-beings-original Buddha and the main point to be careful in the process of Seon practicing by writing the instructing poetry style, He accepted the rhetoric of paradox, the rhetoric of symbolic, the rhetoric of metaphor as a Seon expression skill in the instructing poetry style. Even though I tried to study the contents and Seon expression of Naong's poetry style in this research paper, there must be remained the other subjects to study. I might continue researching the structure of Seon master Naong's Seon poetry next time in the near future, for example, what kinds of contexts were used in his Seon poetry on the level of sentences or works.

참고문헌 (45)

  1. 나옹, "나옹록" (2001), 장경각
  2. 전재강, "선요" (2006), 운주사
  3. 대혜, "서장" (2004), 운주사
  4. 혜능, "육조단경", 장경각
  5. 고우, "간화선", pp.1~449 (2008), 조계종출판사
  6. 강전섭, "전나옹화상작 가사 사편에 대하여", 한국언어문학, 23, pp.1~12 (1984), 한국언어문학회
  7. 구수영, "나옹화상과 <서왕가> 연구", 국어국문학, 62(63), pp.33~56 (1973), 국어국문학회
  8. 권기호, "선시의 세계" (1991), 경북대학교 출판부
  9. 김기탁, "나옹화상의 작품과 가사 발생 연원 고찰", 영남어문학, 3, pp.45~59 (1976), 영남어문학회
  10. 김대행, "<서왕가>와 문학교육론", 한국가사문학연구 상산정재호박사화갑기념논총, pp.597~611 (1996)
  11. 김은종, "懶翁 慧勤의 工夫十節目에 관한 연구", 釋林, (32), pp.157~175 (1998), 東國大學校 釋林會
  12. 김종우, "나옹화상의 승원가", 국어국문학, 10, pp.109~121 (1971), 부산대 국어국문학회
  13. 김종진, "<자책가> 이본 형성 연구", 한국어문학연구, 31, pp.277~308 (1996), 한국어문학연구학회
  14. 김종진, "<서왕가> 전승의 계보학과 구술성의 층위", 한국시가연구, (18), pp.77~111 (2005), 한국시가학회
  15. 박재금, "나옹 선시의 상징과 역설", 한국의 민속과 문화, 12, pp.7~37 (2007), 경희대학교 민속학연구소
  16. 신규탁, "나옹화상의 선사상", 동양고전연구, 6, pp.169~193 (1996), 동양고전학회
  17. 신규탁, "나옹혜근의 선사상에 대한 철학적 분석", 대각사상, (11), pp.71~98 (2008), 대각사상연구원
  18. 신규탁, "나옹화상의 선사상", 동양고전연구, 6, pp.1~25 (1996), 동양고전연구회
  19. 신영심, "나옹혜근의 선시연구", 연구논집, 13, pp.45~66 (1985), 이화여자대학교대학원
  20. 염은열, "<서왕가>의 인식적 특성 연구", 선청어문, 23, pp.275~288 (1995), 서울대 사범대
  21. 왕필, "왕필의 노자" (1997), 예문서원
  22. 이동영, "나옹화상의 <승원가>와 <서왕가> 탐구", 사대논문집, 32, pp.1~28 (1996), 부산대학교사범대
  23. 이병철, "懶翁作 <西往歌> 一考", 한국사상과 문화, (43), pp.7~34 (2008), 한국사상문화학회
  24. 이상미, "무의자의 선시 연구" (2005), 박이정
  25. 李鍾君, "懶翁禪師의 詩 世界", 석사, 국어교육전공, pp.1989
  26. 李鍾君, "懶翁 禪詩에 나타난 달[月]의 상징", 韓國文學論叢, 14, pp.159~176 (1993), 韓國文學會
  27. 李鍾君, "懶翁和尙의 三歌 연구", 박사, 국어국문학, pp.1996
  28. 이종군, "고려 말 선시의 미학" (2008), 불광출판사
  29. 이종찬, "한국의 선시" (1985), 이우출판사
  30. 이종찬, "한국불가시문학사론" (1993), 불광출판부
  31. 이창구, "懶翁 禪의 실천체계", 범한철학, (26), pp.5~28 (2002), 범한철학회
  32. 李哲憲, "懶翁惠勤의 法脈", 韓國佛敎學, 19, pp.335~371 (1994), 韓國佛敎學會
  33. 이철헌, "나옹 혜근의 선사상", 한국불교학, 21, pp.179~216 (1996), 한국불교학회
  34. 전재강, "불교 가사 형성의 발생학적 정황", 우리문학연구, (31), pp.205~237 (2010), 우리문학회
  35. 전재강, "나옹 선시에 나타난 시공 표현의 용어 유형", 우리말글, 57, pp.283~313 (2013), 우리말글학회
  36. 전재강, "나옹 선시에 나타난 체언 계열 어휘의 양면성", 어문학, (121), pp.215~244 (2013), 한국어문학회
  37. 전재강, "나옹 선시에 나타난 용언 계열 어휘의 양면성", 한국시가연구, 35, pp.33~66 (2013), 한국시가학회
  38. 정대구, "승원가의 작자 연구", 숭실어문, 1, pp.149~174 (1984), 숭실어문학회
  39. 정재호, "<서왕가>와 <승원가>의 비교고", 건국어문학, 9(10), pp.401~422 (1985), 건국어문학회
  40. 정재호, "나옹작 가사의 작자 시비", 한국학연구, 19, pp.137~181 (2003), 고려대학교 한국학연구소
  41. 정진원, "나옹호상 <고루가> 텍스트 분석", 텍스트언어학, 4, pp.21~47 (1997), 한국텍스트언어학회
  42. 제레미M. 호손, "현대문학이론 용어사전" (2003), 동인
  43. 조셉 칠더즈, "현대문학․문화비평 용어사전" (2000), 문학동네
  44. 최강현, "서왕가 연구-주로 그 수록 문헌과 연대를 중심으로", 인문논집, 17, pp.93~114 (1972), 고려대학교
  45. 黃仁奎, "懶翁慧勤과 그 대표적 계승자 無學自超: 나옹혜근과 무학자초의 遭遇事實을 중심으로", 東國歷史敎育, 5, pp.1~38 (1997), 東國大學校歷史敎育科

관련 논문AI추천

이 간행물의 다른 논문 (16건)