한용운 시가에 나타난 선(禪) 표현의 국면과 미학

Abstract

This paper is written in order to research for the Seon(禪) expression and aesthetic of HanYongUn’s Siga(詩歌). HanYongUn is very famous as Seon master and independent campaigner, modern poet in Korea. He wrote many kinds of literary works, for example, many modern poetry, modern novels, Sijo, Chino-Korean Poetry etc. It’s very exceptional that he wrote a lot of Korean traditional Sijo and Chino-Korean Poetry. Because he was a modern poet as same as modern novelist. He was practicing Seon meditation throughout his life. So he naturally expressed Seon in his Chino-Korean Poetry and his Korean traditional Sijo, even in his modern poetry. That’s why the Seon(禪) expression and aesthetic of HanYongUn’s Siga(詩歌) should be studied. So studying on his Seon(禪) expression and aesthetic of HanYongUn’s Siga(詩歌) can help someone to understand the essence of HanYongUn’s all literature. There were found the fact that the expression type of HanYongUn’s Seon are different according to literature genres: his Chino-Korean Poetry, his Korean traditional Sijo, his modern poetry. Firstly, HanYongUn expressed Seon(禪) by using objects as one of various daily lifes in his Chino-Korean Poetry. His various daily life was mainly described in his Chino-Korean Poetry. His daily life is connected with the time and space situation, meeting or parting people situation, composing poetry situation, watching object situation, thinking and acting by himself situation etc. When his expressing Seon in his Chino-Korean Poetry, he adapted the rhetoric of paradox and symbolistic. Secondly, when his expressing Seon in Korean traditional Sijo, his purpose was teaching people: monk, lay people. He wanted to correct the way of routine teaching and to break down the dualism by expressing Seon in his Sijo. When his expressing Seon in his Korean traditional Sijo, he adapted the rhetoric of command and conclusively speaking, irony. Thirdly, when his expressing Seon in modern poetry, he built his lover which means principle and nation as well as lover. In the process of describing the relationship between himself and lover, he expressed Seon in modern poetry. The relationship between himself and lover was circulative. Because they are sometimes being united, other times being separated in circulation. In order to express these circulations he adapted the rhetoric of paradox and symbolistic in his modern poetry. Even though I studied the Seon(禪) expression and aesthetic of HanYong Un’s Siga(詩歌) in three aspects But there could be the other things to study about these kinds of theme. I might continue researching the other kinds of theme next time in the near future.