이강백 희곡 미학 연구 - 「뼈와 살」의 알레고리 작법을 중심으로

Abstract

Though Bone and Flesh is not realism drama, the power of interest mortar is very good. Because of dubious and riddle Event in the opening Part, is the force of ratiocination and reflection great. The plot of this drama is the aesthetic strategy which awakens the theme and contents of this drama. Two talks like being a difference maintain the relationship of the effect each other. The bone problem is solved by the flesh problem. Also The flesh problem is naturally solved by the bone problem solving process. This world and that beyond world are not different but same connection structure. The bone and flesh talks are revealed in the allegory which contains this deep meaning. The bone problem is solved by the flesh problem. Also The flesh problem is solved by the bone problem. While two talks are connected, are there occurred the circulating and contrastive structure. Reiteration of the time is repeated. Reiteration of the space is layered. The circulation happens. This structure rises allegory meaning of this work. There is a contrastive aspect between the person who can see and who can not see. There is another contrastive aspect who can listen and who can not listen. This Aspect will be repeated and being modulated variously. This is a meta sign to see the circle of life. The unreal talk is meta strategy which wakes up the difference and the contrast of the person who sees and who doesn't see. Before waking up, the language breath cuts frequently. Criticism and hostile emotion, voice flowing of same urgent current, appears frequently. Anyone can see the figurative scenery of imagination, but another man can not see it. Anyone predicts. Another man does not understand a prediction. There is a person who knows the essence of life. There is a another person who does not know the essence of life. This contrast is the meta sign which is strategic. After waking up, the language breath to be calm is stable. Comprehending, the image which is poetic from apex is set. The aesthetics of reason revives. This contrast is repeated. This contrast is modulated variously. This as well is an allegory strategy. The door after floating, the language breath to be calm is stable. Comprehending, the image which is poetic from apex is set. The aesthetics of reason revives. The story of Boatman, the story of old fortune-teller woman, the story of card play, the story of the dead tree and the flower blood are the meta hint and strategy which awakens difference between visual world and unvisual world. The old fortune-teller woman evacuates the excrements. The people does not understand the language of the old woman. It is meta strategy which gives allegory meaning. The comedy characteristic occurs from conduct of the grandmother suddenly. The people does not predict the conduct of the old woman. The comedy characteristic occurs. Playing occurs. The Conduct of the old fortune-teller woman who wraps the excrements occurrs playing and comedy. This conduct also is metaphorical strategy to awaken circulation meaning. Lyricism occurs in the extreme point of contemplation and reflection. The circulation aspect comes true not only in even the formal structure but also in the contents in order to give proof the artiness of the whole work. The allegory playwriting method which the author attempts with ratiocination and reflection, range and circulation, repetition and modulation of contrast, and lyric cord will become to good search text.