시학의 원리로서 알레고리의 가능성 - 오장환 시를 중심으로

Abstract

The body has been recognized of totality. If one part of body is ill, the whole body is to sick. This study was started with to doubt this totality of a body. I got a idea to make a plan this study from a orange that has two aspects. One is orange peel as totality, another is inner several piece] of tangerine. Furthermore, a slice piece of orange is comprised of grains in countless numbers. Orange of poetic diction was used in representative poem is A song of moon fragrance ninth sky written by Oh, Jang-whan. In actualities, however, we cloud not deny that our body was placed in totality. I argued a body to be reveal in text as to see ideological body. The ideological body is shaking body between a actual body that is directing to physical body and a real body that is to be exposed a image(naked body). Image is a figure that was manifested through a principle of symbol. When a figure has become permanent, it is called "sign", whereas a image that has maintained a condition of energy will make progress to allegory through writing. By going through this process, an image turns to “beautiful imagination' or 'a veil ' that act as wrapping 'Pure langue' or 'Pure event'. I made a search for this case through Oh, Jang-whan's poems in body of this thesis. Instead of conclusion, I entered into brief abut body as language and culture. The body that omnipresent bodies want to go toward body is to be "body of writing". A principle of writing that fragments was regrouped again, that is allegory. This study has a tendency strong in a sketch that explores a possibility of allegory as principles of poetics.