김혜순 시의 어머니 표상 연구

Abstract

So far, a number of studies on Kim Hye-soon’s poetry have been about the female figures and images that appear in the work. In this process, it is often found that the concept of motherhood is mixed in meaning rather than closely distinguished. As poet Kim Hye-soon directly mentioned through various theories and prose, one of the things he wanted to reject about his work was motherhood as a myth and ideology. Nevertheless, attempts are still being made to analyze Kim Hye-soon’s poems with an abstract and difficult concept of motherhood. As long as the ‘mother’ is sensitive to changes in meaning at the relational level given differently depending on the user’s point of view, the word can contribute to expanding the horizons of Korean women’s poetry by breaking away from meaning. As in the case of Kim Hye-soon’s poem, there are few examples that consistently demonstrate the performativity of a mother and her mother. From the late 70s to the present, he has been considering and expanding the methods of feminine writing, reflecting the social and cultural conditions that make up each era in his personal life. Her poem is an alternative writing that raises questions about ‘male writing’ rather than replacing ‘male writing.’ Her poem contains fundamental reflections on women’s conditions, location, and subjectivity. And her poems are guaranteed to have a distinctive language and meaning for women. Not only in the literary arena, but also in society as a whole, the need for discussions on becoming a “mother” and mother is accumulating. Feminism and women in the genre now a variety of research methodology for the attention is be carried out, and the alternative. In particular, discussions are actively taking place on the life of women who are still not free from the fixed life track of marriage, childbirth and parenting. Currently, Korean literature is more actively reproducing mothers than ever before, and especially noteworthy mother-daughter narratives are being created. Many works show the power of imagination with mothers at the center in order to grasp reality and their identity and expect the development of a common life. In this context, looking at Kim Hye-soon’s expressions of mothers who have distanced themselves from motherhood myths and ideologies in her poems is an essential task in terms of common research on them.