전봉건 시집 『돌』에 나타난 은유 구조 연구

Abstract

Chun Bong Kun freed himself from the overly ideologic principle of the 1950-70 and settled as the representing modernist focusing on the practical use of rhetorics especially through imagination.「The stone」, takes form by employing Hrushovski's theory of frame of reference and to accommodate his perceptual ideal and existential renewal through this process. Therefore, this thesis will take「The stone」poems that are commonly focused on the level of river, the living bird, and the body analyzed them through the'Frames of References'theory. The perceptual mind of uniting materials phenomenally apart is the characteristic of Chun's poems, which tries out the mixing of the river and bird, universe and ego through the associating process frequently crossing time and space, and forms a multi- level meaning system of metaphors through fantasy. This process confirmed that the method of metaphor is not simply a asthetic equipment but operates as a principle that penetrates the intrinsic essence of poetry. The speaker in the poem looks up at the river by stretching his imagination in order to transcend the limited space of reality, but ultimately shows the existential transition of becoming a subject of freedom by sublimating himself. The metaphorical structure of Chun's poetry is the result of reflecting the universal view and the living awareness as a whole. It reflects the poet's urge of wanting to move trancendency while experiencing fantasy, and aiming the heavens but wanting to hold on to the earth. The form of trancendency the poet shows here is harmonizing himself with another by dissolving his idealistic self. In short, in the poem of 「The stone」, transcendency is made by forming the metaphor of everlasting river, the metaphor of living bird, and the metaphor of flute and body. So I think that the trancendency in his poetry 「The stone」is embodied by his metaphoric mind and thought.